Quote Investigator® – Page 144

It’s True I’m Here, and I’m Just as Strange as You

Frida Kahlo? Rebecca Katherine Martin? Apocryphal? Anonymous?

Dear Quote Investigator: There is a fascinating quotation about self-consciousness and the desire to establish a connection with an alter ego or doppelganger. Here is the beginning:

I used to think I was the strangest person in the world, but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do.

These words have been attributed to the famous Mexican painter Frida Kahlo, but I have not been able to find a good citation. Would you please explore this topic?

Quote Investigator: Frida Kahlo died in 1954, and QI has not yet found any substantive evidence that she wrote or said this quotation in Spanish or English.

The earliest appearance of this quotation known to QI occurred on the “PostSecret” website in March 2008. The quotation was printed on a postcard which had been mailed to a post-office box maintained by Frank Warren, the founder of “PostSecret”. Warren has described his website as a community art project. He has encouraged individuals to write personal secrets on homemade postcards and anonymously mail them to him; a subset are selected and displayed on the website.

Below is the postcard that was displayed next to the date March 16, 2008. The quotation was anonymous; specifically, it was not ascribed to Frida Kahlo; however, the background image showed part of a portrait of the prominent artist. QI conjectures that this image induced the misattribution to Kahlo:

I used to think I was the strangest person in the world
but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do
I would imagine her, and imagine that she must be out there thinking of me too.
well, I hope that if you are out there you read this and know that yes, it’s true I’m here,
and I’m just as strange as you.

The protean electronic nature of websites often makes it difficult to verify the dates of text and images from past years. In this case, fortunately, a snapshot of the “PostSecret” website was taken on March 18, 2008 and stored in the “Internet Archive: Way Back Machine” database.[ref] Internet Archive: Way Back Machine, Web snapshot date: March 18, 2008, Date on Webpage: March 16, 2008, Archive download URL: postsecret.blogspot.com, Title: Sunday Secrets. (Accessed at web.archive.org on January 28, 2016) link [/ref]

Because the quotation appeared initially without an ascription it has been difficult to ascertain its provenance with much certainty. Nevertheless, QI believes that the top candidate for authorship is Becky Martin (Rebecca Katherine Martin).

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Anecdote Origin: The Dictionary Feud: Faulkner versus Hemingway

William Faulkner? Ernest Hemingway? Apocryphal?

**Two Pages Showing Entries of a Thesaurus**

Question for Quote Investigator: Two major writers of the twentieth century disagreed sharply about the type of vocabulary that was advantageous in literary works. According to a literary legend Faulkner attacked Hemingway by saying he had “no courage”. Hemingway’s tightly circumscribed word choice was pedestrian. Hemingway punched back by stating that he did not need “ten-dollar words”. He also said that Faulkner’s writing had deteriorated because of his dependence on alcohol. Would you please examine this altercation to determine precisely what was said?

Reply from Quote Investigator: In April 1947 William Faulkner visited the University of Mississippi by invitation. He answered questions posed by students in a Creative Writing class, and his remarks were transcribed. After a multi-year delay the text was published in the Summer 1951 issue of the quarterly “The Western Review”.¹ When asked to evaluate his own position in the literary pantheon Faulkner made a critical comment about Hemingway. Boldface has been added to excerpts:²

Q. If you don’t think it too personal, how do you rank yourself with contemporary writers?

A. 1. Thomas Wolfe: he had much courage and wrote as if he didn’t have long to live; 2. William Faulkner; 3. Dos Passos; 4. Ernest Hemingway: he has no courage, has never crawled out on a limb. He has never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used; 5. John Steinbeck: at one time I had great hopes for him — now I don’t know.

. . .
Q. Mr. Faulkner, do you mind our repeating anything we have heard today outside of class?

A. No. It was true yesterday, is true today, and will be true tomorrow.

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An Apology Is the Superglue of Life. It Can Repair Just About Anything

Lynn Johnston? Apocryphal?

Dear Quote Investigator: The Canadian cartoonist Lynn Johnston has crafted a wonderful metaphor equating the reparative quality of apologies to superglue. Her statement is very popular on the web, but no one seems to know the precise phrasing; also, I have never seen a solid citation. Would you please trace this quotation?

Quote Investigator: The widely-syndicated long-running comic strip “For Better or For Worse” was created, written, and drawn by Lynn Johnston. The strip published on May 31, 1994 depicted the character Sharon Edwards, a teacher, conversing with the character Elizabeth Patterson, a student. Patterson’s relationship with a friend had deteriorated because she had been preoccupied with a boyfriend. Edwards suggested that the friendship might be mended with an apology:[ref] 1994 May 31, The Ukiah Daily Journal, Syndicated Comic Strip: For Better Or For Worse by Lynn Johnston, Quote Page 12, Ukiah, California. (Newspapers_com)[/ref]

There’s nothing like an apology, Liz. — An apology is the superglue of life!
It can repair just about anything!!

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They’ve Absolutely Ruined Your Perfectly Dreadful Play

Tallulah Bankhead? Apocryphal?

Dear Quote Investigator: The funniest one-line review of a movie I have ever encountered is the following:

Darling, they’ve absolutely ruined your perfectly dreadful play.

According to a show-business legend, the movie star Tallulah Bankhead delivered this mortifying judgement to the famous playwright Tennessee Williams when she saw the film version of his play “Orpheus Descending”. Would you please explore this tale?

Quote Investigator: In 1940 Tennessee Williams wrote a play titled “Battle of Angels”; however, at that time he was unable to successfully mount a full production. He rewrote and retitled the work “Orpheus Descending”, and in 1957 it was presented on Broadway, but the reception was muted. The construction of the play had been inspired by the tragic ancient myth of Orpheus and Eurydice.

In 1960 “Orpheus Descending” was adapted into a film titled “The Fugitive Kind” with top performers in the cast: Marlon Brando played the Orpheus-type role and Anna Magnani played the Eurydice-type role. The critical notices were mixed, and the commercial performance was weak.

The earliest evidence located by QI of a match for the quotation appeared in the widely-syndicated column of Walter Winchell in May 1960. Winchell stated that Tallulah Bankhead and Tennessee Williams had recently resumed a friendship that previously had been strained. Bankhead’s candor was unhampered. Boldface has been added to excerpts:[ref] 1960 May 25, The Terre Haute Tribune, Walter Winchell of New York, Quote Page 4, Column 3, Terre Haute, Indiana. (Newspapers_com)[/ref]

They witnessed the film “Fugitive Kind” (adapted from his “Orpheus Descending”) and she told him: “I think it’s disgraceful. They’ve absolutely ruined a bad play!” Tennessee enjoys being spiked by Talu the tiger.

The use of the pedestrian word “bad” in this version of the quotation reduced its humor. Yet, this instance might be the most faithful to the words Bankhead actually uttered. The word choice evolved as the tale was retold during the ensuing years.

Here are additional selected citations in chronological order.

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Failure Is Only the Opportunity More Intelligently To Begin Again

Henry Ford? Samuel Crowther? Apocryphal?

Dear Quote Investigator: The failure of a project is often disheartening, but some self-help and inspirational texts highlight a quotation that presents a positive interpretation to the setback:

Failure is the opportunity to begin again, more intelligently.

This statement has been attributed to the assembly-line innovator and industrial titan Henry Ford, but I have been unable to find a solid citation. Would you please examine this saying?

Quote Investigator: In 1922 Henry Ford in collaboration with Samuel Crowther released an autobiographical volume titled “My Life and Work”. In the introductory section Ford outlined four principles for his organization, and the saying appeared in the discussion of the first principle; however, the phrasing was different and somewhat clumsier. Boldface has been added to excerpts:[ref] 1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 19 and 20, Garden City Publishing Company, Garden City, New York. (Google Books Full View) link [/ref]

The institution that we have erected is performing a service. That is the only reason I have for talking about it. The principles of that service are these:

1. An absence of fear of the future and of veneration for the past. One who fears the future, who fears failure, limits his activities. Failure is only the opportunity more intelligently to begin again. There is no disgrace in honest failure; there is disgrace in fearing to fail. What is past is useful only as it suggests ways and means for progress.

The principles were important to Ford, and he repeated them in the concluding section of the book.[ref] 1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 273, Garden City Publishing Company, Garden City, New York. (Google Books Full View) link [/ref]

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Life’s Most Persistent and Urgent Question Is, “What Are You Doing for Others?”

Martin Luther King Jr.? Apocryphal?

Dear Quote Investigator: A speech by the civil rights icon Martin Luther King, Jr. included a section about the importance of altruism versus selfishness; he posed the following question:

What are you doing for others?

Would you please help me to locate this quotation?

Quote Investigator: The 1963 collection “Strength to Love” by Martin Luther King Jr. included a sermon titled “Three Dimensions of a Complete Life” which contained the following passage. Boldface has been added to excerpts:[ref] 1963, Strength to Love by Martin Luther King Jr., Sermon: Three Dimensions of a Complete Life, Start Page 67, Quote Page 72, Published by Harper & Row, New York. (Verified on paper)[/ref]

In a sense every day is judgment day, and we, through our deeds and words, our silence and speech, are constantly writing in the Book of Life.

Light has come into the world, and every man must decide whether he will walk in the light of creative altruism or the darkness of destructive selfishness. This is the judgment. Life’s most persistent and urgent question is, “What are you doing for others?”

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Jealousy in Romance Is Like Salt in Food

Maya Angelou? Apocryphal?

Dear Quote Investigator: I once read a piece by the prominent memoirist and poet Maya Angelou that contained a fascinating simile depicting jealousy in a love affair as a spice or salt because it enhanced the flavor of the relationship. I have not been able to relocate this passage, and now I am less certain she wrote it. Would you please help locate this quotation?

Quote Investigator: In 1993 Maya Angelou released a collection titled “Wouldn’t Take Nothing for My Journey Now”. One short passage titled “Jealousy” referred to that puissant emotion as an intoxicant but also included a cautionary note. Boldface has been added to excerpts:[ref] 1993, Wouldn’t Take Nothing for My Journey Now by Maya Angelou, Section: Jealousy, Quote Page 129, Random House, New York. (Verified on paper)[/ref]

It must be remembered, however, that jealousy in romance is like salt in food. A little can enhance the savor, but too much can spoil the pleasure and, under certain circumstances, can be life-threatening.

Here are additional selected citations in chronological order.

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Obscene and Not Heard

Groucho Marx? Ethel Barrymore? Maurice Barrymore? Paul M. Potter? Gertrude Battles Lane? John Lennon? Joe E. Lewis? Robert Heinlein? Marilyn Manson? Augustus John? Oscar Wilde?

Dear Quote Investigator: There is well-known and often repeated admonition directed at young people who are making too much noise:

Children should be seen and not heard.

Wordplay has produced multiple quips which transform the phrase “seen and not heard” into other similar sounding statements:

Back in our day sex was obscene and not heard.
The writing was obscene but not absurd.
Graffiti should be obscene and not heard.
Women should be obscene but not heard.

Instances of these statements have been attributed to Groucho Marx, John Lennon, Ethel Barrymore, Robert Heinlein, and Oscar Wilde. Attitudes have changed over the years and some statements in this family grate on many modern ears. Would you please examine this family of adages?

Quote Investigator: The earliest evidence known to QI appeared in an anecdote published in a New York newspaper in 1892. The quip was spoken by Maurice Barrymore who was the patriarch of the famous theater family that included his children John, Lionel, and Ethel. A large show had recently closed, and Barrymore discussed the production with a fellow actor. He defended the risqué performances of the lead actress while mentioning the poor acoustics of the capacious venue. Emphasis added to excerpts by QI:[ref] 1892 December 12, The Evening World, Stage News and Notes, Quote Page 5, Column 3, New York, New York. (Newspapers_com)[/ref]

Here is the latest scintillation of Barrymore’s wit. Barrymore and Wilton Lackaye were discussing Mrs. Bernard-Beere’s unfortunate engagement at the Manhattan Opera-House. Lackaye having said something about the English actress’s failure, Barrymore replied: “My dear boy, you must remember that the size of the theatre was entirely against her; it is so large that it entirely destroyed the delicacy of her art. The stage of that theatre is intended only for broad effects.”

“Well,” said Lackaye, “judging from what I have heard, the broad effects in some of her plays were marked, especially certain scenes in ‘Ariane.'”

“Oh, that’s nothing,” declared Barrymore. “On that big stage anybody can be obscene and not heard.”

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Purpose and Persistence Are Required for Success: Unrewarded Genius Is Almost a Proverb

Calvin Coolidge? Theodore Thornton Munger? M. M. Callen? Orison Swett Marden? Edward H. Hart?

Dear Quote Investigator: Many books extolling self-improvement include a didactic passage that begins as follows:

Nothing in the world can take the place of persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts.

These words have been credited to U.S. President Calvin Coolidge, but I have not been able to find a good citation. Would you please explore this topic?

Quote Investigator: A closely matching text was attributed to Calvin Coolidge by 1929, but the passage did not originate with the former President. Instead, it evolved over a period of several decades. Interestingly, the original text located by QI emphasized the importance of “purpose” to success and did not mention “persistence”.

In 1881 the Reverend Theodore Thornton Munger of New England published a book of guidance for young people titled “On the Threshold”. The first chapter was called “Purpose”, and the author stated the following, Boldface has been added to excerpts:[ref] 1881 (Copyright 1880), On the Threshold by Theodore T. Munger (Theodore Thornton Munger), Chapter 1: Purpose, Quote Page 9, Houghton, Mifflin and Company, Boston, Massachusetts. (Google Books Full View) link [/ref]

A purpose is the eternal condition of success. Nothing will take its place. Talent will not; nothing is more common than unsuccessful men of talent. Genius will not; unrewarded genius is a proverb; the “mute, inglorious Milton” is not a poetic creation. The chance of events, the push of circumstances, will not. The natural unfolding of faculties will not. Education will not; the country is full of unsuccessful educated men; indeed, it is a problem of society what to do with the young men it is turning out of its colleges and professional schools. There is no road to success but through a clear, strong purpose.

A purpose underlies character, culture, position, attainment of whatever sort. Shakespeare says: “Some achieve greatness, and some have greatness thrust upon them;” but the latter is external, and not to be accounted as success.

The boldface text above highlights some of the points of similarity and contrast with the modern text about persistence which has often been attributed to Coolidge.

The phrase “mute, inglorious Milton” was a reference to the popular poem “Elegy Written in a Country Churchyard” by Thomas Gray who was contemplating the graves of the largely-anonymous people who lived and died in the small villages of the English countryside. Gray imagined a person who might have rivalled the power and acclaim of the poet John Milton. Yet, the person was mute and did not achieve glory because chance and circumstance prevented the emergence of his or her greatness. Munger implicitly re-imagined the scenario by suggesting that a clear and strong purpose might have allowed the mute Milton and others to acquire success.

Munger’s words were remembered, and a shortened version of the passage above was further disseminated when it was included in an 1889 collection titled “A Homiletic and Illustrative Treasury of Religious Thought” which was published in a series of editions.[ref] 1889, A Homiletic and Illustrative Treasury of Religious Thought by H. D. M. Spence, Joseph S. Exell, and Charles Neil, Volume 3, Second Edition, Quote Page 260, Section: Fixity and Tenacity of Purpose, Published by R. D. Dickinson, London. (Google Books Full View) link [/ref]

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“I Bet I Could Get Three Words Out of You.” “You Lose.”

Calvin Coolidge? Frank B. Noyes? Apocryphal?

Dear Quote Investigator: President Calvin Coolidge was known as “Silent Cal” because of his extraordinarily laconic speech. A famous anecdote tells of a dinner party during which the person sitting adjacent to the Coolidge said: “Mr. President I’ve made a large bet that I would be able to make you say more than two words.” Coolidge considered this proposition carefully and then replied slowly and emphatically, “You lose.”

Would you please explore the veracity of this comical tale?

Quote Investigator: The earliest evidence known to QI appeared in several newspapers in April 1924 which were reporting on a short speech of introduction delivered at the annual luncheon of the Associated Press news service by Frank B. Noyes who was the President of the organization. The introduction was for the main speaker at the event, President Calvin Coolidge. Noyes told a story about an unnamed “very high official”, and his audience knew that the tale was supposed to be about Coolidge. Boldface has been added to excerpts:[ref] 1924 April 23, The Hartford Courant, President Favors New Parley for Further Limitation of Arms, Quote Page 22, Column 8, Hartford, Connecticut. (ProQuest)[/ref]

. . . let me be reminded at this point of a story current in Washington last year.

“A very high official had a really undeserved reputation of extreme reticence, and it is related that at a dinner the lady on his right opened the conversation by saying that her neighbor had it in his power to lose or win a wager for her as she had made a bet that however reserved he might have been with others that he would talk with her. Then came a measurable pause, followed by ‘You lose.’

This version of the tale did not mention a specific number of words, e.g., “more than two words” or “at least three words”. Hence, it was not quite as funny as later instances of the anecdote.

“The New York Times” published an article about the luncheon which included the response given by Coolidge immediately after the humorous story was presented. He completely denied its accuracy. The term “President” in the following remark by Coolidge might be somewhat confusing; the term referred to Frank B. Noyes, President of the Associated Press, and not to Coolidge.[ref] 1924 April 23, New York Times, Coolidge for a New Arms Conference; Demands Constructive Federal Thrift; Favors Participation in German Loan: Sees Hope in Dawes Plan, Start Page 1, Quote Page 2, Column 1, New York. (ProQuest)[/ref]

“Your President has given you a perfect example,” said Mr. Coolidge, “of one of those rumors now current in Washington which is without any foundation.”

The audience laughed, and then Mr. Coolidge went ahead with his prepared speech.

Here are additional selected citations in chronological order.

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