Ogden Nash? George Bernard Shaw? James Agate? La Liberté? Winston Churchill? Henry James? Oscar Wilde? Georges Clemenceau?
Dear Quote Investigator: There is a famous humorous saying about the United States that has been credited to four celebrated wits: George Bernard Shaw, Oscar Wilde, Winston Churchill, and Georges Clemenceau:
America is the only country that went from barbarism to decadence without knowing civilization.
Could you reduce the uncertainty and determine who coined this acerbic comment?
Quote Investigator: A partial match of the quotation appeared in a French history text in 1841 which stated that the ruler of Russia pushed the country without transition from barbarism to decadence. Thanks to Dan Bye and the volunteer editors of Wikiquote for this citation: 1
… il fit passer son pays sans transition de la barbarie à la décadence, de l’enfance à la caducité.
In 1878 the prominent literary figure Henry James published a short story with a German character who remarked on the cultural evolution of the United States using a simile based on the maturation of fruit. The following passage is conceptually similar to the quotation, but the vocabulary is different. Thanks to correspondent Rand Careaga for this citation: 2
… unprecedented and unique in the history of mankind; the arrival of a nation at an ultimate stage of evolution without having passed through the mediate one; the passage of the fruit, in other words, from crudity to rottenness, without the interposition of a period of useful (and ornamental) ripeness. With the Americans, indeed, the crudity and the rottenness are identical and simultaneous;…
The earliest evidence known to QI of a close match for this expression was published in 1926 in The Sunday Times of London. Interestingly, the country being lacerated was Russia and not the United States. In addition, none of the four gentlemen mentioned by the questioner was credited with the words.
The theatre reviewer, James Agate, saw a production of the work “Katerina” by Andreyev, and he was deeply unsympathetic to the behaviors displayed by the characters. Boldface has been added below: 3 4
Everything that happens to Andreyev’s characters is repugnant to the English sense of what would, should, or could happen to people laying claim to ordinary, i.e. English sanity. This being so, the temptation is to cast about for excuses, to pity Russia for having been left out of the Roman march, and so passing from barbarism to decadence without knowing civilisation, or to talk about “retrogressive metamorphism” and the way this country has been steadily breaking Europe down ever since, in the time of Peter the Great, she first began to absorb European culture.
Special thanks to correspondent Robert Rosenberg who identified this pivotal early instance.
Here are additional selected citations in chronological order.
- 1841, Histoire des Progrès de la Civilisation en Europe by Hippolyte Roux-Ferrand, Volume 6, Quote Page 72, Chez L. Hachette. (Google Books full view) link ↩
- 1881, Washington Square; The Pension Beaurepas; A Bundle of Letters by Henry James, Volume 2, (A Bundle of Letters; short story reprinted from The Parisian, 1878), Start Page 198, Quote Page 266, Macmillan and Co., London. (Google Books full view) link ↩
- 1926 April 4, The Sunday Times (UK), The Dramatic World: Those Russians Again by James Agate, (Review of the play Katerina by Andreyev performed on March 31), Quote Page 4, London, England. (Gale’s Sunday Times Digital Archive; thanks to Fred Shapiro and Dan J. Bye for accessing this database) ↩
- 1944, Red Letter Nights by James Agate, (Review by James Agate of the play Katerina by Leonid Andreyev; starring John Gielgud and Frances Carson; Review is dated April 3, 1926 in book), Start Page 112, Quote Page 113, Jonathan Cape Ltd., London, UK. (Internet Archive) link ↩