Hans von Bülow? Niccolò Paganini? Jennie Fowler Willing? Maria Malibran? Charles Haddon Spurgeon? Anton Rubinstein? August Wilhelmj? Ole Bull? Ignacy Paderewski? Franz Liszt? Jascha Heifetz? Fritz Kreisler?
Question for Quote Investigator: There is a popular saying about the enormous importance of regularly engaging in practice to maintain prowess as a performer in music and other domains.
If a person skips practice for one day then the person becomes aware of a skill deficit. If the person continues to skip practice then the circle of awareness grows to include friends and colleagues. When practice is neglected for an extended period then everyone becomes aware of the decay in skill.
Would you please explore the provenance of this notion?
Reply from Quote Investigator: This saying can be expressed in many ways; hence, it is difficult to trace. Here is an overview of current research presenting a sequence of examples with dates, attributions, and phrasings. Some quotations use the U.S. spelling of “practice” and some use the British spelling of “practise”. Boldface added by QI:
1877 Sep: Attributed to pianist Hans von Bülow:
If I stop practice for one day, I notice it in my playing; if I stop two days, my friends notice it; if I stop three days, the public notices it.
1880 May: Attributed to violinist Niccolò Paganini:
If I discontinue my practice for a single day I discover it myself; if for two days my friends discover it; and if I do not practice for three days, the public find it out.
1885: Attributed to opera singer Maria Malibran:
If I neglect my practice a day, I see the difference in my execution. If for two days, my friends see it; and if for a week, all the world knows my failure.
1885 Sep: Attributed to an unnamed celebrated pianist by preacher Charles Haddon Spurgeon:
If I quit the piano one day I notice it; if I quit it two days my friends notice it; if I quit it three days the public notice it.
1888 Jan: Attributed to pianist Anton Rubinstein:
If he neglected to practise for one day, he noticed the difference; if for two days, his friends noticed it; if for week, the public would know it.
1889: Attributed to violinist August Wilhelmj:
If I neglect to practise for one day, I notice it; if for two days, my friends notice it; and if for three, the public notice it.
1894 Jul: Attributed to pianist Franz Liszt:
If I miss practicing one day, I know it; if I miss two days, my friends know it; and if I miss three days, the public knows it.
1925 Jan: Attributed to violinist Ole Bull:
If I don’t practice for a day, I know it; if I don’t for two days, my audience knows it.
1935 Sep: Attributed to pianist Ignacy Paderewski:
If I don’t practice for one day, I know it. If I miss two days, my friends know it; and if I miss three days, the whole world knows it.
1946 Dec: Attributed to pianist Franz Liszt by violinist Jascha Heifetz:
If I don’t practice one day, I know it; two days, the critics know it; three days, the public knows it.
1955 Feb: Attributed to violinist Fritz Kreisler:
If I don’t practice for a day, I know it; if I don’t practice for two days, my family knows it; if I don’t practice for a week, the world knows it.
1985 Mar: Described as an old adage by guitarist John McLaughlin:
If you don’t practice for a day, you know it; if you don’t play a few days, your colleagues know it; if you don’t play for a week, everybody knows it.
2015: Attributed to trumpeter Louis Armstrong:
If I don’t practice for a day, I know it. If I don’t practice for two days, the critics know it, and if I don’t practice for three days, the public knows it
Below are detailed citations in chronological order.
Continue reading “Quote Origin: If I Don’t Practice for One Day, I Know It; Two Days, the Critics Know It; Three Days, Everyone Knows It”