Optimist: The Glass Is Half Full. Pessimist: The Glass Is Half Empty. Comedian: The Glass Is the Wrong Size

Steve Martin? George Carlin? Terry Pratchett? O. J. Anderson? Davis Merritt Jr.? Tom Page? Allen Klein? Anonymous?

Dear Quote Investigator: Different attitudes towards life are vividly illustrated by divergent reactions to a partially filled glass:

Optimist: The glass half full
Pessimist: The glass is half empty

A third humorous category is sometimes added to the two categories above. Here are some examples:

Realist: The glass is too big
Comedian: The glass is simply the wrong size
Engineer: The glass is twice as big as it needs to be

Would you please explore the history of this extended joke?

Quote Investigator: If readers wish to learn about the original simple bipartite split then they should follow this link to a separate QI article on the topic.

The family of sayings which presents a comical tripartite split is difficult to trace because the family is highly variable.

The first match located by QI appeared in the “Fort Lauderdale News” of Florida in 1977. An unnamed sports writer used an instance while describing a college football player named O.J. Anderson who emphasized the positive. Boldface added to excerpts by QI:[1] 1977 November 8, Fort Lauderdale News, College Scene: Hurricanes: Anderson Believes Miami Can Win Remaining Three, Quote Page 4E, Column 1, Fort Lauderdale, Florida. (Newspapers_com)

Optimists say the water glass is half full. Pessimists claim that it is half empty. O.J. Anderson would probably say the water is really overflowing except you can’t tell because the glass is too big. That’s how much of a positive thinker Anderson is.

Below are additional selected citations in chronological order.

Continue reading Optimist: The Glass Is Half Full. Pessimist: The Glass Is Half Empty. Comedian: The Glass Is the Wrong Size

References

References
1 1977 November 8, Fort Lauderdale News, College Scene: Hurricanes: Anderson Believes Miami Can Win Remaining Three, Quote Page 4E, Column 1, Fort Lauderdale, Florida. (Newspapers_com)

A Day Without Laughter is a Day Wasted

Charlie Chaplin? Steve Martin? Groucho Marx? Nicolas Chamfort?

Dear Quote Investigator: The following guideline for living makes sense to me, so I try to find humor in something every day:

A day without laughter is a day wasted

When I read this maxim originally it was credited to Charlie Chaplin, but I once heard it attributed to Groucho Marx. Do you know who said it and on what occasion?

Quote Investigator: This principle is sometimes credited to popular comedic entertainers such as Charlie Chaplin and Groucho Marx, but the idea was expressed more than two centuries ago. The French writer Nicolas Chamfort was famous for his witticisms and epigrams. In 1795 the periodical Mercure Français reprinted the following saying from one of his manuscripts [MFNC]:

La plus perdue de toutes les journées est celle où l’on n’a pas ri.

The earliest instance of this aphorism in the English language located by QI is dated 1803 in a periodical titled “Flowers of Literature” in a section titled “Laughing” [FLFB]:

I admire the man who exclaimed, “I have lost a day!” because he had neglected to do any good in the course of it; but another has observed that “the most lost of all days, is that in which we have not laughed*;” and, I must confess, that I feel myself greatly of his opinion.

The asterisk footnote pointed to the bottom of the page where the French phrase listed above was presented. The text did not identify Chamfort as the author of the saying, but it did give his precise French wording as the source of the English epigram.

Here are additional selected citations in chronological order.

Continue reading A Day Without Laughter is a Day Wasted

Writing About Music is Like Dancing About Architecture

Laurie Anderson? Steve Martin? Frank Zappa? Martin Mull? Elvis Costello? Thelonius Monk?

Dear Quote Investigator: I have a difficult riddle for you. A mailing list I belong to has discussed the following quotation several times during the past ten years, and the question of its origin has never been satisfactorily resolved.

Writing about music is like dancing about architecture.

Laurie Anderson, Steve Martin, Frank Zappa, Martin Mull, Elvis Costello, Thelonius Monk, Clara Schumann, Miles Davis, George Carlin and several other people have been credited with concocting this extraordinarily popular and enigmatic simile. There is another common version of the quote: “Talking about music is like dancing about architecture.” Is there any chance that you could attempt to trace this famous saying?

Quote Investigator: With the help of colleagues, correspondents, and wonderful music librarians QI can report some revealing citations. The first close match appears in the “Detroit Free Press” of Michigan in February 1979 within a column titled “Bob Talbert’s quotebag” which presents miscellaneous quotations. The dots are in the original text. Emphasis added to excerpts by QI:[1] 1979 February 18, Detroit Free Press, Bob Talbert’s quotebag, Quote Page 19C, Column 5, Detroit, Michigan. (Newspapers_com)

Martin Mull . . .
. . . Comedian-musician on music criticism: “Writing about music is like dancing about architecture.”

The second close match appears in a magazine dedicated to the history of rock and roll called “Time Barrier Express”. The September-October 1979 issue contains a profile of the group Sam & Dave by Gary Sperrazza in which he discusses the interplay and rapport of the duo:[2]1979 September-October, Time Barrier Express, “Looka Here! It’s Sam & Dave!” by Gary Sperrazza, Page 25, Column 1, Issue Number 26, Volume 3, Number 6, White Plains, N.Y. … Continue reading

All quick, very natural, and captured on vinyl. It’s so hard to explain on paper, you’ll just have to find the records and listen for yourself (because I truly believe — honest — that writing about music is, as Martin Mull put it, like dancing about architecture).

Based on current evidence QI believes that Martin Mull is the most likely originator of this expression. It is not clear how Bob Talbert and Gary Sperrazza heard or read about the quotation. Mull did release several albums combining comedy and music in the 1970s. He also appeared in the television soap opera parody “Mary Hartman, Mary Hartman”, and the talk show parody “Fernwood 2 Night” (later renamed “America 2-Night”). It is possible that he used the phrase in one of these venues, or perhaps he said it during a stage performance or interview.

Researchers have been attempting to trace this well-known saying for many years. It is a recurrent topic in discussion forums and on mailing lists. Alan P. Scott was the key pioneer in this endeavor, and he has created a wonderful webpage that records his gleanings and includes a comprehensive list of people that have been credited with the quotation.[3] Alan P. Scott authored webpage about the origin of the saying “Talking about music is like dancing about architecture” (Accessed 2010 November 7) link

The clever maxim was probably not created ex nihilo. QI has found a family of similar expressions about music that date back to 1918. This backstory helps to illuminate the aphorism, and it begins with a remark involving “singing about economics.”
Continue reading Writing About Music is Like Dancing About Architecture

References

References
1 1979 February 18, Detroit Free Press, Bob Talbert’s quotebag, Quote Page 19C, Column 5, Detroit, Michigan. (Newspapers_com)
2 1979 September-October, Time Barrier Express, “Looka Here! It’s Sam & Dave!” by Gary Sperrazza, Page 25, Column 1, Issue Number 26, Volume 3, Number 6, White Plains, N.Y. (Verified using scanned images from the Music Library & Sound Recordings Archives at Bowling Green State University; Great thanks to the librarian at BGSU)
3 Alan P. Scott authored webpage about the origin of the saying “Talking about music is like dancing about architecture” (Accessed 2010 November 7) link
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