Clement Greenberg? Robert M. Coates? Jane Holtz Kay? Pablo Picasso? Gertrude Stein? Tom Wolfe?

Question for Quote Investigator: Modern art evokes divergent reactions. One unhappy critic described three paintings by Jackson Pollock as “mere unorganized explosions of random energy, and therefore meaningless”. However, an influential critic who championed Pollock stated:
All profoundly original art looks ugly at first.
Would you please help me identify these critics and find citations for these remarks?
Reply from Quote Investigator: In 1945 art critic Clement Greenberg published an essay in “The Nation” which praised contemporary artist Jackson Pollock as “the strongest painter of his generation”. Greenberg celebrated courageous artists. Boldface added to excerpts by QI:1
There has been a certain amount of self-deception in School of Paris art since the exit of cubism. In Pollock there is absolutely none, and he is not afraid to look ugly—all profoundly original art looks ugly at first. Those who find his oils overpowering are advised to approach him through his gouaches, which in trying less to wring every possible ounce of intensity from every square inch of surface achieve greater clarity and are less suffocatingly packed than the oils.
In 1948 “The New Yorker” magazine published a piece by art critic Robert M. Coates who described the paintings of Pollock as large blobs of color laced with fine lines. Coates contended that the pictures contained no recognizable symbols:2
Such a style has its dangers, for the threads of communication between artist and spectator are so very tenuous that the utmost attention is required to get the message through. There are times when communications break down entirely, and, with the best will in the world, I can say of such pieces as “Lucifer,” “Reflection of the Big Dipper,” and “Cathedral” only that they seem mere unorganized explosions of random energy, and therefore meaningless.
Coates’s judgement of Pollock was not uniformly negative. He also stated:
. . . both “Magic Lantern” and the larger “Enchanted Forest” have a good deal of poetic suggestion about them.
Below are additional selected citations in chronological order.
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