Quote Origin: I Am the Civilization You Are Fighting For

George Bernard Shaw? William Butler Yeats? Anonymous? H. W. Garrod? Lord Dunsany? Lytton Strachey?

Question for Quote Investigator: While the First World War was raging an unhappy woman approached a famous British scholar and poet and rebuked him for not enlisting. She stated emphatically that young men were fighting and dying to defend civilization. Here are two versions of sage’s response:

1) But Madam, I am the civilization for which they are fighting.
2) Are you aware, Madam, that I am the civilization for which they are dying?

In the version of the tale I was told the riposte was delivered by the Oxford classical scholar H. W. Garrod. But other possibilities have been mentioned, e.g., Lytton Strachey and Bernard Shaw. Would you please explore this anecdote?

Reply from Quote Investigator: The earliest instance of this story located by QI was published in August 1914 in a London periodical called “The New Age: A Weekly Review of Politics, Literature and Art”. The disparager was a soldier, and the respondent was an unnamed artist. The passage below employed the British variant spelling for “civilisation” with an “s” instead of a “z”. Boldface has been added to excerpts:1

I heard another good retort of an artist upon a volunteer who reproached him for not enlisting. I, he said, am the civilisation you are fighting for.

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Quote Origin: Suffering from Delusions of Adequacy

Who was speaking: Walter F. Kerr? Michael Foot? Erskine Johnson? Charlton Heston? David Brin?

Who was criticized: Jay Robinson? Dwight Eisenhower? Charlton Heston?

Question for Quote Investigator: The complaint that someone is exhibiting “delusions of grandeur” has become a cliché. However, a clever modification of the phrase was memorably employed by a theater critic who was unhappy with an ostentatious performance:

The actor was suffering from delusions of adequacy.

Would you please reveal the name of the critic and the performer?

Reply from Quote Investigator: In 1951 the Pulitzer-winning drama critic Walter F. Kerr writing in the “New York Herald Tribune” reviewed a play on Broadway called “Buy Me Blue Ribbons”. Kerr noted that the main actor in the production had recently been dismissed from another key position, and the thespian’s reaction was eccentric:1

Jay Robinson producer and virtually star of “Buy Me Blue Ribbons,” is a young man of twenty-one who was last season dispossessed of a leading role in a play which he had himself financed. Mr. Robinson is apparently not bitter about this. He has had Sumner Locke Elliott write a play for him a comedy about a young man who is similarly thrown out of his own production, and he is offering it, for his mortification and for ours, at the Empire Theatre.

Kerr’s critical judgement was harsh, and he employed the phrase under investigation to lambaste Robinson. Boldface has been added to excerpts:

Mr. Robinson is not up to the course he has set for himself. In the play, the character concludes by giving up his dreams of overnight stardom and deciding to learn his trade from the bottom up. All Mr. Robinson can honestly do now is to take his own advice. At the moment, he is suffering from delusions of adequacy.

The passage above contained the earliest instance located by QI; hence, Kerr was probably responsible for its coinage.

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Quote Origin: We Cannot Go Back and Start Over, But We Can Begin Now, and Make a New Ending

Zig Ziglar? C. S. Lewis? Carl Bard? James R. Sherman? Philadelphia Eagles Football Team? Barrie M. Tritie? Dennis Reinhart? Maria Robinson? Jessie Jones? Michael York?

Question for Quote Investigator: Whenever I reach a dead-end or feel that I am stuck in a rut I can be re-energized by the following inspirational saying. Here are two versions:

Although no one can go back and make a brand new start, anyone can start from now and make a brand new ending.

You can’t go back and change the beginning, but you can start where you are and change the ending.

This saying has been attributed to fantasy author C. S. Lewis, motivational speaker Zig Ziglar, and someone named Carl Bard. Would you please explore the provenance of this expression?

Reply from Quote Investigator: QI has found no substantive evidence supporting the linkage to C. S. Lewis. He died in 1963, and he received credit by 2017.

Zig Ziglar did employ this saying, and he credited Carl Bard. However, the earliest citation located by QI was written by another individual. In 1982 the author James R. Sherman, Ph. D. published a book titled “Rejection” which included the following prefatory statement:

All of us have been rejected more than once. We’ve been turned down for jobs, had applications refused, and lost out in romance.

Sherman’s work was designed to help readers constructively overcome the psychological pain resulting from rejection. A chapter called “How to Survive Rejection” contained an instance of the saying under examination. Boldface has been added to excerpts:1

First of all, you have to accept the fact that your rejection is over and done with. There’s nothing you can do now to change what has already happened. If you spend time worrying about it, you’ll lose sight of the present and stumble into a cloudy future. You can’t go back and make a new start, but you can start right now and make a brand new ending.

This was the first instance located by QI, but the saying can be phrased in many ways; hence, earlier instances may exist. This entry represents a snapshot of what QI has learned, and other researchers may build on this information in the future.

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Quote Origin: The Crowd Came to the Funeral, Not To Mourn, But To Make Sure the Person Was Dead

Who Said It: Samuel Goldwyn? Mr. Jones? S. S. Van Dine? Joey Adams? Whispering Russian?

Whose Funeral: Louis B. Mayer? Fogarty’s Brother? Joseph Stalin? W. Kerr Scott?

Question for Quote Investigator: According to Hollywood legend when the tyrannical chief of a powerful movie studio died many were surprised to see that his funeral was well attended. When the leader of a competing studio was asked for an explanation he said:

The turnout was large because so many people wanted to make sure he was dead.

Would you please explore this sardonic tale?

Reply from Quote Investigator: This questionable story was printed in the 1960 biographical work “Hollywood Rajah: The Life and Times of Louis B. Mayer”. Mayer was a very successful movie producer who was a co-founder of Metro-Goldwyn-Mayer studios. He died in 1957, and the cutting remark above has been attributed to fellow mogul Samuel Goldwyn. The details for this citation are listed further below.

Interestingly, barbs of this type have been circulating for more than 125 years. For example, in 1889 and 1890 multiple newspapers recounted a story from the “San Francisco Chronicle” of California about a longstanding bitter quarrel between two people named Jones and Fogarty.1 Jones felt some empathy for Fogarty when he learned that his brother had died. So he made an effort to end the dissension by attending the funeral, but his gesture of reconciliation backfired.2 Bold face has been added to excerpts:3

He displayed becoming grief and sorrow, but he did not have a chance to speak to Mr. Fogarty. A few days after he met Mr. Fogarty and went up to him with outstretched hand and a sympathetic look on his face. To his surprise Mr. Fogarty drew himself up and glared at him:

“May I inquire, sir, what the devil you were doing at my brother’s funeral?”

The Christian feeling in Mr. Jones evaporated. He took in the outstretched hand, and said with considerable force: “I went to make sure he was dead.” The war is fiercer than ever.

The story above exhibited a comparable punchline and provided a thematic match; however, it did not refer to a large turnout at a funeral. A different thematic match appeared in multiple newspapers in 1934 when a serialized mystery called “The Kennel Murder Case” by S. S. Van Dine was published.4 A police officer questioned a suspect:5

“If you think your uncle was such a wash-out and you were so glad to find he’d been croaked, why did you run over to him and kneel down, and pretend to be worried?”

Hilda Lake gave the Sergeant a withering, yet whimsical, look.

“My dear Mr. Policeman, I simply wanted to make sure he was dead.”

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Quote Origin: The Cure for Boredom Is Curiosity. There Is No Cure for Curiosity

Dorothy Parker? Ellen Parr? Anonymous?

Question for Quote Investigator: The following statement about curiosity has been attributed to the well-known wit Dorothy Parker and someone named Ellen Parr:

The cure for boredom is curiosity. There is no cure for curiosity.

Would you please examine the provenance of this saying?

Reply from Quote Investigator: The earliest instance of this quotation known to QI appeared in “Reader’s Digest” in December 1980 in a column called “Quotable Quotes” where the words were ascribed to Parr. Boldface has been added to excerpts:1

The cure for boredom is curiosity. There is no cure for curiosity.
—Ellen Parr

Dorothy Parker died in 1967, and there is no substantive evidence that she employed this saying. The two names “Parr” and “Parker” are alphabetically very close, and QI conjectures that a mistake led to the reassignment of the saying from Parr to Parker based on a known mechanism for misattribution. A more extensive explanation is given further below.

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Quote Origin: There Is No Such Thing as Conversation. It Is an Illusion. There Are Intersecting Monologues, That Is All

Rebecca West? Apocryphal?

Question for Quote Investigator: The notable British author Rebecca West once wrote a brilliant comment about people talking without communicating. Her words have been included in several important reference compilations of quotations, but the situation is confusing because there are two different versions of her statement that differ by a single word. Boldface has been added to excerpts:

1) There is no such thing as conversation. It is an illusion. There are intersecting monologues, that is all.

2) There is no such thing as conversation. It is an illusion. There are interesting monologues, that is all.

Would you please determine which of these is accurate?

Reply from Quote Investigator: This cogent remark was included in a short story by Rebecca West titled “There Is No Conversation”, and the earliest appearance of this work located by QI was in “The Saturday Evening Post” in 1928. The quotation employed the word “interesting”, but QI conjectures that West’s auctorial intention was to use the word “intersecting”. The story began with the following passage:1

There is no such thing as conversation. It is an illusion. There are interesting monologues, that is all. We speak; we spread round us with sounds, with words, an emanation from ourselves. Sometimes they overlap the circles that others are spreading round themselves. Then they are affected by these other circles, to be sure, but not because of any real communication that has taken place—merely as a scarf of blue chiffon lying on a woman’s dressing table will change color if she casts down on it a scarf of red chiffon.

In 1935 the work “There Is No Conversation” was reprinted by West2 in her collection called “The Harsh Voice: Four Short Novels”. The beginning segment matched the one above except the word “interesting” was changed to “intersecting”:3

There is no such thing as conversation. It is an illusion. There are intersecting monologues, that is all.

Which word should appear within the quotation? Both were published under the name of Rebecca West, but QI believes that the surrounding text makes the best choice quite clear. West employed the figurative language of colored scarves to beautifully illustrate and reinforce the meaning of the phrase “intersecting monologues”.

The phrase “interesting monologues” was published first, but its denotation did not conform closely to the neighboring text. QI conjectures that the mistake was introduced during the editorial or typesetting process. A known class of errors replaces a less common word such as “intersecting” with a typographically-similar word such as “interesting” that occurs more frequently.

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Quote Origin: Positively, The Best Thing a Person Can Have To Do Is Nothing

Charles Lamb? Théophile Gautier? Anonymous?

Question for Quote Investigator: When I was choosing a major in college, people would ask me what I wished to do in life. I am somewhat indolent; hence, the following response reflects my underlying beliefs:

The best thing to have to do is nothing.

I usually did not share this thought with others. Interestingly, a similar sentiment has been expressed by both the English essayist Charles Lamb and the French writer Théophile Gautier. Would you please explore this saying?

Reply from Quote Investigator: In 1827 Charles Lamb wrote a letter to the poet Bernard Barton. He offered to help his friend, and the missive included an instance of the saying:1

I would willingly come and work for you three weeks or so, to let you loose. Would I could sell or give you some of my leisure! POSTIVELY, THE BEST THING A MAN CAN HAVE TO DO IS NOTHING! and, next to that, perhaps, GOOD WORKS!

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Quote Origin: I Spent All Morning Taking Out a Comma and All Afternoon Putting It Back

Oscar Wilde? Gustave Flaubert? Robert H. Sherard? Apocryphal?

Question for Quote Investigator: A famous writer who was punctilious about punctuation described an arduous day of work as follows:

I spent all morning putting in a comma and all afternoon taking it out.

In some versions of the anecdote the operations were reversed:

I spent all morning taking out a comma and all afternoon putting it back in again.

This humorous remark has been attributed to the wit Oscar Wilde and the French novelist Gustave Flaubert. Would you please determine the correct ascription?

Reply from Quote Investigator: Currently, there is no substantive evidence that Gustave Flaubert made this remark. He died in 1880, and the first linkage of the tale to him that QI has located was published in 1919. Details are given further below.

The earliest instance of this anecdote known to QI appeared on May 8, 1884 in “The Daily Graphic: An Illustrated Evening Newspaper”1 of New York City under the title “The Casual Observer”. The story was quickly reprinted in several other newspapers including “The Syracuse Standard”2 of New York under the title “Oscar’s Morning Work”, and “The Boston Sunday Globe”3 of Massachusetts under the title “A Fateful Comma”. Boldface has been added to excerpts:

Oscar Wilde, among his various stories told here of which he was always the aesthetic hero, related that once while on a visit to an English country house he was much annoyed by the pronounced Philistinism of a certain fellow guest, who loudly stated that all artistic employment was a melancholy waste of time.

“Well, Mr. Wilde,” said Oscar’s bugbear one day at lunch, “and pray how have you been passing your morning?” “Oh! I have been immensely busy,” said Oscar with great gravity. “I have spent my whole time over the proof sheets of my book of poems.” The Philistine with a growl inquired the result of that.

“Well, it was very important,” said Oscar. “I took out a comma.” “Indeed,” returned the enemy of literature, “is that all you did?” Oscar, with a sweet smile, said, “By no means; on mature reflection I put back the comma.” This was too much for the Philistine, who took the next train to London.

Thanks to scholar John Cooper who for three decades has been studying Oscar Wilde with particular emphasis on Wilde’s excursions in the United States. Cooper identified the widely-reprinted story given above, and found the earliest citation.4

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Quote Origin: Of All the Forms of Inequality, Injustice in Health Is the Most Shocking and Inhuman

Martin Luther King Jr.? Apocryphal?

Question for Quote Investigator: While reading about the economics of health care I came across the following statement attributed to the famous civil rights leader Martin Luther King Jr.:

Of all the forms of inequality, injustice in health care is the most shocking and inhumane.

A writer at “The Huffington Post” website attempted to trace this quotation and obtained first-hand testimony from an attendee at a human rights convention in 1966 who stated that King did make this remark, but King used the word “inhuman” instead of ‘inhumane”.1

Would you please explore this topic? Perhaps contemporaneous documentary evidence can be located.

Reply from Quote Investigator: There is substantive evidence that Martin Luther King Jr. did make a statement that was nearly identical to the modern version given above. On Saturday, March 26, 1966 multiple newspapers published an article from the Associated Press (AP) newsgathering organization about a press conference held in Chicago on the night of Friday, March 25. The annual meeting of the Medical Committee for Human Rights was being held, and King spoke to journalists before he was scheduled to deliver an address to conference attendees.2 King’s theme was the disparate medical care received by blacks. Boldface has been added to excerpts:3

“We are concerned about the constant use of federal funds to support this most notorious expression of segregation. Of all the forms of inequality, injustice in health is the most shocking and the most inhuman because it often results in physical death.

“I see no alternative to direct action and creative nonviolence to raise the conscience of the nation.”

Modern renditions of the quotation contain the terms “health care” or “healthcare”, but the concurrent AP report indicated that King simply said “health”. Also, King used the word “inhuman” instead of “inhumane” according to the AP.

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Quote Origin: This Diary Is My Kief, Hashish, and Opium Pipe. This Is My Drug and My Vice

Anaïs Nin? Apocryphal?

Question for Quote Investigator: The acclaimed modern diarist Anaïs Nin apparently experienced an addictive intensity when writing in her diary. The following words have been attributed to her:

This diary is my kief, hashish, and opium pipe.

Is this an authentic quotation, or is it simply a hallucination?

Reply from Quote Investigator: The publication of Anais Nin’s personal diary entries began in 1966 and continued into the 1970s. A series of seven edited and expurgated volumes were released under the umbrella title “The Diary of Anais Nin”. The content was based on her life and thoughts commencing in the 1930s. An entry in volume 1 dated June 1934 discussed the dichotomous struggle between private and public writing. Nin employed figurative language to express her drug-like dependence on the composition of the diary:1

This diary is my kief, hashish, and opium pipe. This is my drug and my vice. Instead of writing a novel, I lie back with this book and a pen, and dream, and indulge in refractions and defractions, I can turn away from reality into the reflections and dreams it projects, and this driving, impelling fever which keeps me tense and wide-awake during the day is dissolved in improvisations, in contemplations. I must relive my life in the dream. The dream is my only life. I see in the echoes and reverberations the transfigurations which alone keep wonder pure. Otherwise all magic is lost.

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