Is That a Gun in Your Pocket, or Are You Just Glad to See Me?

Mae West? Aristophanes? Apocryphal?

Dear Quote Investigator: Screenwriter and sex symbol Mae West is usually credited with the following ribald line:

Is that a pistol in your pocket, or are you just glad to see me?

But I have seen many variations of this comical remark:

  1. Is that your pipe in your pocket or are you just glad to see me?
  2. Is that a banana in your pocket, or are you just happy to see me?
  3. Are you packin’ a rod or are you just glad to see me?
  4. Is that your sword or are you just glad to see me?

Can you determine which joke is the original and when it was spoken or written?

Quote Investigator: The earliest evidence located by QI was in a 1958 book about a New York theatre producer titled “The Nine Lives of Michael Todd” by Art Cohn. In 1944 the play “Catherine Was Great” which was produced by Todd and starred Mae West opened on Broadway. Cohn stated that West improvised the humorous line of dialog when she was interacting with her fellow star Gene Barry:[1] 1958, The Nine Lives of Michael Todd by Art Cohn, Quote Page 193, Random House, New York. (Verified with scans)

Barry, playing Lieutenant Bunin, was unaccustomed to carrying a sword, and in the second act, during an embrace, his scabbard came between him and his Empress.

A covert smile stole over Mae’s face. “Lieutenant,” she ad-libbed with a Westian leer, “is that your sword or are you just glad to see me?”

There is some confusion about whether a version of this quip was used by Mae West in a movie during the 1930s or 1940s. Top quotation expert Fred R. Shapiro writing in The Yale Book of Quotations states that the line was not used by West in her early films:[2] 2006, The Yale Book of Quotations by Fred R. Shapiro, Section Mae West, Page 809, Yale University Press, New Haven. (Verified on paper)

Often ascribed to West’s film She Done Him Wrong, but the line does not appear in that or any of her other pre-1967 movies.

West claimed in remarks published in the 1980s that she employed the saying in the 1930s while speaking with a policeman. In addition, West did utter the saying in the 1978 film Sextette which was based on a play she wrote. Details for these citations are given further below.

Here are additional selected citations in chronological order.

Continue reading “Is That a Gun in Your Pocket, or Are You Just Glad to See Me?”

References

References
↑1 1958, The Nine Lives of Michael Todd by Art Cohn, Quote Page 193, Random House, New York. (Verified with scans)
↑2 2006, The Yale Book of Quotations by Fred R. Shapiro, Section Mae West, Page 809, Yale University Press, New Haven. (Verified on paper)

Academic Politics Are So Vicious Because the Stakes Are So Small

Henry Kissinger? Wallace Sayre? Charles Frankel? Samuel Johnson? Jesse Unruh? Courtney Brown? Laurence J. Peter?

Dear Quote Investigator: The following saying is often attributed to the prominent U.S. foreign policy figure and Nobel laureate Henry Kissinger:

Academic politics are so vicious precisely because the stakes are so small.

But I have also seen it attributed to the political scientist Wallace Sayre. Could you examine this adage?

Quote Investigator: There are many different ways to state this basic idea. Here are some additional forms to help depict the range of possible expressions:

Academic politics is the most vicious and bitter form of politics, because the stakes are so low.

Politics on the university campus are the worst of all kinds of politics because the stakes are so small.

Campus politics are so nasty because the stakes are so small.

The republic of learning and letters works by especially bitter squabbling because the stakes are so small.

This exploration begins with a fascinating precursor in 1765 from the pen of the lexicographer and celebrated man of letters Samuel Johnson. In the following excerpt a “scholiast” referred to an academic commentator:[1]1765, Mr. Johnson’s Preface to His Edition of Shakespear’s Plays by Samuel Johnson, Page lvii, Printed for J. and R. Tonson, H. Woodfall, J. Rivington, etc., London. (Google Books full … Continue reading[2] 1997, After the Death of Literature by Richard B. Schwartz, Quote Page 12 and 13, Published by Southern Illinois University Press, Carbondale, Illinois. (Questia: Gale, Cengage Learning)

It is not easy to discover from what cause the acrimony of a scholiast can naturally proceed. The subjects to be discussed by him are of very small importance; they involve neither property nor liberty; nor favour the interest of sect or party. The various readings of copies, and different interpretations of a passage, seem to be questions that might exercise the wit, without engaging the passions.

But whether it be, that small things make mean men proud, and vanity catches small occasions; or that all contrariety of opinion, even in those that can defend it no longer, makes proud men angry; there is often found in commentaries a spontaneous strain of invective and contempt, more eager and venomous than is vented by the most furious controvertist in politicks against those whom he is hired to defame.

Another precursor was delivered in 1964 by Robert M. Hutchins whose long career included service as Dean of Yale Law School and President of the University of Chicago. Hutchins called academic politics “the worst kind”, but he did not include the sardonic explanation given in the full version of the saying:[3]1964 October, The Journal of General Education, Volume 16, Number 3, “Science, Scientists, and Politics” by Robert M. Hutchins, Start Page 197, Quote Page 197, Published by: Penn State … Continue reading

Though I do not know much about professional politics, I know a lot about academic politics — and that is the worst kind. Woodrow Wilson said that Washington was a snap after Princeton.

The earliest direct evidence known to QI of a full statement that fits in the grouping above was printed in the transcript of a speech given in February 1969 at the annual convention of the American Association of School Administrators. The speaker was Charles Frankel who was a Professor of Philosophy at Columbia University, but his phrasing indicated that the adage was already in circulation, and he provided no attribution:[4]1969, Official Report of AASA (Your AASA), Report on the 1969 Annual Convention of American Association of School Administrators, (Convention held in Atlantic City, New Jersey, February 15 to 19, … Continue reading[5]1971, In Defense of Academic Freedom, Edited by Sidney Hook, “Education in Fever” by Charles Frankel, (Reprinted from Official Report of AASA, Report on the 1969 Annual Convention of the … Continue reading

It used to be said of politics on the university campus that it was the worst of all kinds of politics because the stakes were so small. We should be able to take at least minor comfort, then, from the present situation in the educational world: The stakes today are not at all small.

Here are additional selected citations in chronological order.

Continue reading “Academic Politics Are So Vicious Because the Stakes Are So Small”

References

References
↑1 1765, Mr. Johnson’s Preface to His Edition of Shakespear’s Plays by Samuel Johnson, Page lvii, Printed for J. and R. Tonson, H. Woodfall, J. Rivington, etc., London. (Google Books full view) link
↑2 1997, After the Death of Literature by Richard B. Schwartz, Quote Page 12 and 13, Published by Southern Illinois University Press, Carbondale, Illinois. (Questia: Gale, Cengage Learning)
↑3 1964 October, The Journal of General Education, Volume 16, Number 3, “Science, Scientists, and Politics” by Robert M. Hutchins, Start Page 197, Quote Page 197, Published by: Penn State University Press. (JSTOR) link
↑4 1969, Official Report of AASA (Your AASA), Report on the 1969 Annual Convention of American Association of School Administrators, (Convention held in Atlantic City, New Jersey, February 15 to 19, 1969), Speech: Education and the Barricades by Charles Frankel, (Speech by Charles Frankel, Professor of Philosophy at Columbia University; delivered February 17, 1969 during the Sixth General Session), Start Page 75, Quote Page 75, Published by American Association of School Administrators, Washington D.C. (Verified on paper)
↑5 1971, In Defense of Academic Freedom, Edited by Sidney Hook, “Education in Fever” by Charles Frankel, (Reprinted from Official Report of AASA, Report on the 1969 Annual Convention of the American Association of School Administrators), Start Page 35, Quote Page 35, Pegasus (Division of Bobbs-Merrill Company), New York. (Verified on paper)

A Short Story Must Have a Single Mood and Every Sentence Must Build Towards It

Edgar Allan Poe? Apocryphal?

Dear Quote Investigator: On a popular website I saw an intriguing list of “Indispensable Writing Tips from Famous Authors”. The following words were attributed to Edgar Allan Poe, the master of mystery and the macabre:

A short story must have a single mood and every sentence must build towards it.

I was unable to determine where this statement originally appeared. Did Poe really say this?

Quote Investigator: QI hypothesizes that this sentence is a rough synopsis of comments written by Poe in a book review published in 1842. Poe used the phrase “single effect” and not the phrase “single mood” when describing the importance of concision and unified purpose in short stories. This important essay was published in Graham’s Magazine, and Poe was reviewing Nathaniel Hawthorne’s collection titled Twice-Told Tales. Here is an excerpt with boldface added:[1]1842 May, Graham’s Magazine, Volume 20, Number 5, Review of New Books, [Review by Edgar Allan Poe of Nathaniel Hawthorne’s collection Twice-Told Tales, Volume 2], Start Page 298, Quote … Continue reading

A skilful literary artist has constructed a tale. If wise he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents such incidents—he then combines such events as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step.

In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished, because undisturbed; and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided.

In 1846 Poe published an essay in Graham’s Magazine titled The Philosophy of Composition in which he expatiated on his vision of literary creation:[2]1846 April, Graham’s Magazine, Volume 28, Number 4, “The Philosophy of Composition” by Edgar Allan Poe, Start Page 163, Quote Page 153, George R. Graham & Co., Philadelphia, … Continue reading

Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.

Here are additional selected citations in chronological order.

Continue reading “A Short Story Must Have a Single Mood and Every Sentence Must Build Towards It”

References

References
↑1 1842 May, Graham’s Magazine, Volume 20, Number 5, Review of New Books, [Review by Edgar Allan Poe of Nathaniel Hawthorne’s collection Twice-Told Tales, Volume 2], Start Page 298, Quote Page 298 and 299, Philadelphia, Pennsylvania. (The spelling of “skilful” was used in the original document) (Google Books full view) link
↑2 1846 April, Graham’s Magazine, Volume 28, Number 4, “The Philosophy of Composition” by Edgar Allan Poe, Start Page 163, Quote Page 153, George R. Graham & Co., Philadelphia, Pennsylvania. (Google Books full view) link link

Deathbed Remark: This Is No Time To Be Making New Enemies

Voltaire? Niccolò Machiavelli? Wilson Mizner? Dying Irishman? Canny Scot? Aging Rock Star? Apocryphal?

Dear Quote Investigator: While reading speeches given by Nobel Prize recipients I came across an entertaining anecdote about Voltaire from the eminent economist Robert E. Lucas:[1]1995 December 10, Speech at Banquet for the Nobel Prize Award by Robert E. Lucas, Jr., [Lucas won the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel], From Les Prix Nobel. The … Continue reading

When Voltaire was dying, in his eighties, a priest in attendance called upon him to renounce the devil. Voltaire considered his advice, but decided not to follow it. “This is no time,” he said, “to be making new enemies”. In this same spirit, I offer my thanks and good wishes to the Bank of Sweden, to the Nobel Committee, and to everyone involved in this wonderful occasion.

Reports of deathbed pronouncements are notoriously inaccurate, and the speaker was probably knowingly presenting a lighthearted fanciful tale. I have heard the same story told about the famous political schemer Niccolò Machiavelli. Could you explore this anecdote?

Quote Investigator: The earliest instance of this joke known to QI was published in April 1856, and the person lying on the deathbed was not famous. The jocular tale was told in a Springfield, Massachusetts newspaper and featured a generic Irishman:[2] 1856 April 30, Springfield Republican, Political Miscellanies, Page 2, Column 1, Springfield, Massachusetts. (GenealogyBank)

You remind me of a dying Irishman, who was asked by his confessor if he was ready to renounce the devil and his works ‘Oh, your honor,’ said Pat, ‘don’t ask me that; I’m going into a strange country, and I don’t want to make myself enemies!’

This popular account was printed in multiple newspapers and periodicals in the following years, e.g., The Nebraskian of Omaha, Nebraska in August 1856;[3] 1856 August 06, The Nebraskian, (Freestanding short filler item), Quote Page 1, Column 6, Issue 28, Omaha, Nebraska. (19th Century Newspapers) the Boston Investigator of Boston, Massachusetts in August 1856;[4] 1856 August 27, Boston Investigator, Wit, Humor, and Sentiment, Page 1, Column 5, Issue 18, Boston, Massachusetts, (19th Century Newspapers) the Chicago Daily Tribune of Chicago, Illinois in July 1857;[5] 1857 July 25, Chicago Daily Tribune, [Freestanding article], Page 0_3, Column 4, Chicago, Illinois. (ProQuest) and the Saturday Evening Post of Philadelphia, Pennsylvania in March 1860.[6] 1860 March 10, Saturday Evening Post, [Freestanding article], Page 6, Column 2, Philadelphia, Pennsylvania. (ProQuest)

Over the decades the identity of the main character has shifted between: an Irishman, a Scotsman, Wilson Mizner, Voltaire, Niccolò Machiavelli, an aging rock luminary, and others.

Here are additional selected citations in chronological order.

Continue reading “Deathbed Remark: This Is No Time To Be Making New Enemies”

References

References
↑1 1995 December 10, Speech at Banquet for the Nobel Prize Award by Robert E. Lucas, Jr., [Lucas won the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel], From Les Prix Nobel. The Nobel Prizes 1995, Editor Tore Frangsmyr, [Nobel Foundation], Stockholm. (Accessed at nobelprize.org on August 13, 2013) link
↑2 1856 April 30, Springfield Republican, Political Miscellanies, Page 2, Column 1, Springfield, Massachusetts. (GenealogyBank)
↑3 1856 August 06, The Nebraskian, (Freestanding short filler item), Quote Page 1, Column 6, Issue 28, Omaha, Nebraska. (19th Century Newspapers)
↑4 1856 August 27, Boston Investigator, Wit, Humor, and Sentiment, Page 1, Column 5, Issue 18, Boston, Massachusetts, (19th Century Newspapers)
↑5 1857 July 25, Chicago Daily Tribune, [Freestanding article], Page 0_3, Column 4, Chicago, Illinois. (ProQuest)
↑6 1860 March 10, Saturday Evening Post, [Freestanding article], Page 6, Column 2, Philadelphia, Pennsylvania. (ProQuest)

If At First You Don’t Succeed, Try, Try Again. Then Quit. There’s No Use Being a Damn Fool About It

W. C. Fields? Stephen Leacock? Justin J. Burns? Henry Morgan? George Burns? Anonymous?

Dear Quote Investigator: A well-known saying about persistence has become an energyless cliché:

If at first you don’t succeed, try, try again.

The following parody version is usually attributed to the famous comedian W. C. Fields:

If at first you don’t succeed, try, try again. Then quit. There’s no point in being a damn fool about it.

Did Fields create this twisted proverb?

Quote Investigator: Based on current evidence QI believes that it is unlikely W. C. Fields wrote or said the statement above. He died in 1946, and the earliest known instance of the quotation attributed to him was published in September 1949. An anonymous version of the saying was already in circulation by 1946. Details are given further below.

A very similar joke was crafted by the Canadian humorist Stephen Leacock and published in 1917. QI hypothesizes that the 1940s quip evolved from Leacock’s words. Here is an excerpt from his comical essay “Simple Stories of Success or How to Succeed in Life”:[1] 1917 Copyright, Frenzied Fiction by Stephen Leacock, Simple Stories of Success or How to Succeed in Life, Start Page 243, Quote Page 245, John Lane Company, New York. (Google Books full view) link

According to all the legends and story books the principal factor in success is perseverance. Personally, I think there is nothing in it. If anything, the truth lies the other way.

There is an old motto that runs, “If at first you don’t succeed, try, try again.” This is nonsense. It ought to read—”If at first you don’t succeed, quit, quit at once.”

If you can’t do a thing, more or less, the first time you try, you will never do it. Try something else while there is yet time.

In September 1917 a Flint, Michigan newspaper printed a short filler item with a parody saying:[2] 1917 September 13, Flint Journal, (Freestanding filler item), Quote Page 4, Column 2, Flint, Michigan. (GenealogyBank)

Motto of the Russian army: If at first you don’t succeed, quit, quit again.

In 1925 the Buffalo Evening News of Buffalo, New York reprinted Stephen Leacock’s essay which included the excerpt given previously. The following title was bannered across the top of the page:[3] 1925 December 5, Buffalo Evening News, “If at First You Don’t Succeed, Quit, Quit at Once” by Stephen Leacock, Quote Page 6, Buffalo, New York. (Old Fulton)

“If at First You Don’t Succeed, Quit, Quit at Once”

In April 1946 a version of the saying under investigation was printed in a trade magazine called Commercial Car Journal. A page titled “Laugh It Off” presented a collection of jokes compiled by Skag Shannon. This instance used the word “silly” instead of “damn fool” and the words were attributed to an anonymous “Fireman”:[4]1946 April, Commercial Car Journal, Volume 71, “Laugh It Off” with Skag Shannon, Start Page 102, Quote Page 102, Column 2, Chilton Class Journal Co., Philadelphia, Pennsylvania. (Verified … Continue reading

Our Fireman says, “If you don’t succeed, try, try again. Then stop. No use being silly about it.”

The day after the death of W. C. Fields in December 1946 the Associated Press news service released an obituary that included a discussion of lawsuits that were filed by Fields and his physician over compensation. Fields lost the lawsuit, and he appealed the decision. Interestingly, Fields was quoted using a simple instance of the cliché maxim. He did not employ the derisive quotation that has been attributed to him in modern times:[5] 1946 December 26, Boston Daily Globe (Boston Globe), “W. C. Fields Dies at 66; Famous for Nose, Quips”, (Associated Press), Start Page 1, Quote Page 10, Boston, Massachusetts. (ProQuest)

“I struck out this time,” Fields told reporters, “but next time I’ll hit a home run. Onward and upward’s my motto. Try, try again.” He appealed and the judgment was pared to $2000.

Here are additional selected citations in chronological order.

Continue reading “If At First You Don’t Succeed, Try, Try Again. Then Quit. There’s No Use Being a Damn Fool About It”

References

References
↑1 1917 Copyright, Frenzied Fiction by Stephen Leacock, Simple Stories of Success or How to Succeed in Life, Start Page 243, Quote Page 245, John Lane Company, New York. (Google Books full view) link
↑2 1917 September 13, Flint Journal, (Freestanding filler item), Quote Page 4, Column 2, Flint, Michigan. (GenealogyBank)
↑3 1925 December 5, Buffalo Evening News, “If at First You Don’t Succeed, Quit, Quit at Once” by Stephen Leacock, Quote Page 6, Buffalo, New York. (Old Fulton)
↑4 1946 April, Commercial Car Journal, Volume 71, “Laugh It Off” with Skag Shannon, Start Page 102, Quote Page 102, Column 2, Chilton Class Journal Co., Philadelphia, Pennsylvania. (Verified with scans from the University of Denver library system; great thanks to the helpful librarian)
↑5 1946 December 26, Boston Daily Globe (Boston Globe), “W. C. Fields Dies at 66; Famous for Nose, Quips”, (Associated Press), Start Page 1, Quote Page 10, Boston, Massachusetts. (ProQuest)

Do One Thing Every Day That Scares You

Mary Schmich? Eleanor Roosevelt? Kurt Vonnegut? Baz Luhrmann? Ralph Waldo Emerson? Jane Addams? Mark Toby?

Dear Quote Investigator: To achieve personal growth it is sometimes necessary to move outside of a comfort zone. Unjustified fears can constrain exploration and positive development. Here is a saying I find valuable:

Do one thing every day that scares you.

The above advice is typically attributed to Eleanor Roosevelt who was First Lady for many years and a noted social activist. But I have been unable to find any justification for this ascription. What do you think?

Quote Investigator: An exact match for this quotation appeared within a June 1997 essay by Mary Schmich, a columnist for the Chicago Tribune. She began her article with the statement: “Inside every adult lurks a graduation speaker dying to get out”, and she continued by presenting a staccato sequence of items of advice aimed at young students. Boldface has been added to excerpts below:[1] 1997 June 1, Chicago Tribune, “Advice, Like Youth, Probably Just Wasted on the Young” by Mary Schmich, Page 4C, Chicago, Illinois. (ProQuest)

Don’t worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday.

Do one thing every day that scares you.

Sing.

Don’t be reckless with other people’s hearts. Don’t put up with people who are reckless with yours.

Floss.

Don’t waste your time on jealousy. Sometimes you’re ahead, sometimes you’re behind. The race is long and, in the end, it’s only with yourself.

Mary Schmich’s essay went viral and became a smash hit by August 1997, but the words were not credited to her. Instead, the work was retitled “Wear Sunscreen” and was incorrectly described as a graduation speech given by the well-known author Kurt Vonnegut at the Massachusetts Institute of Technology (MIT).[2] 1997 August 13, Washington Post, Section: Editorial, “The Speech That Wasn’t”, Quote Page A20:1, Washington, D.C. (ProQuest)

In 1999 the essay was transformed into a popular spoken-word song titled “Everybody’s Free (To Wear Sunscreen)” by the prominent film director Baz Luhrmann who credited Schmich. The quotation was included in the lyrics.[3]YouTube video, Title: Baz Luhrmann – Everybody’s Free To Wear Sunscreen, Uploaded on May 24, 2007, Uploaded by: steffyweffy777, (Quotation starts at 1 minute 20 seconds of 5 minutes 4 … Continue reading[4]1999 March 31, Chicago Tribune, “From column to song: ‘Sunscreen’ spreads to Chicago” by Mark Caro [Tribune staff writer], Online Archive of Chicago Tribune, Chicago, … Continue reading

The famous transcendentalist Ralph Waldo Emerson employed a precursor to the saying in the nineteenth century. The conception of incrementally conquering fears as a pathway to growth evolved over many decades. The following five instances of expressions are examined in greater depth further below:

Always do what you are afraid to do. (1841) —Popularized by Ralph Waldo Emerson

To do what you are afraid to do is to guide your life by fear. How much better not to be afraid to do what you believe in doing! (circa 1881) —Jane Addams

You must do the thing you think you cannot do. (1960) —Eleanor Roosevelt

I’m supposed to do one thing every day that I want to do but I’m afraid to do. (1961) —Mark Toby

Do one thing every day that scares you. (1997) —Mary Schmich

Here are selected citations in chronological order.

Continue reading “Do One Thing Every Day That Scares You”

References

References
↑1 1997 June 1, Chicago Tribune, “Advice, Like Youth, Probably Just Wasted on the Young” by Mary Schmich, Page 4C, Chicago, Illinois. (ProQuest)
↑2 1997 August 13, Washington Post, Section: Editorial, “The Speech That Wasn’t”, Quote Page A20:1, Washington, D.C. (ProQuest)
↑3 YouTube video, Title: Baz Luhrmann – Everybody’s Free To Wear Sunscreen, Uploaded on May 24, 2007, Uploaded by: steffyweffy777, (Quotation starts at 1 minute 20 seconds of 5 minutes 4 seconds), Lyrics based on essay by Mary Schmich, (Accessed youtube.com on August 8, 2013) link
↑4 1999 March 31, Chicago Tribune, “From column to song: ‘Sunscreen’ spreads to Chicago” by Mark Caro [Tribune staff writer], Online Archive of Chicago Tribune, Chicago, Illinois. (Accessed chicagotribune.com on August 8, 2013) link

They Haven’t Done Anything to My Book. It’s Right There on the Shelf

Raymond Chandler? James M. Cain? Alan Moore? William S. Burroughs? Larry Niven? Stephen King? Elmore Leonard? William Faulkner? Owen Sheers?

Dear Quote Investigator: I have heard the following anecdote told about Raymond Chandler, James M. Cain, Stephen King, and Elmore Leonard. A journalist once visited the house of a popular author who had sold the movie rights to several of his novels to Hollywood. The quality of the resultant movies had been lamented by critics. The reporter attempted to commiserate with the writer by saying that Hollywood had ruined his books, but the author led the visitor into his study and pointed to a bookshelf:

They haven’t done anything to my books. They’re still right there on the shelf. They’re fine.

Is this story accurate? Who were the participants?

Quote Investigator: The earliest evidence for this tale known to QI was published in the New York Times Book Review in March 1969. The influential cultural critic John Leonard visited James M. Cain at his home in Hyattsville, Maryland. Cain had written several best-selling books in the 1930s and 1940s including: “The Postman Always Rings Twice”, “Mildred Pierce”, and “Double Indemnity”. These works were transformed into movies of variable quality. Leonard reported on the remarks of Cain:[1] 1969 March 2, New York Times, Section: Book Review, The Wish of James M. Cain by John Leonard, Quote Page BR2, Column 3, New York. (ProQuest)

All the early novels were made into movies. (Hollywood made $12-million from Cain; Cain made $100,000.) He has seen only two of the movies made from his books. “There are some foods some people just don’t like. I just don’t like movies. People tell me, don’t you care what they’ve done to your book? I tell them, they haven’t done anything to my book. It’s right there on the shelf. They paid me and that’s the end of it.”

The citation above was located by top researcher Bill Mullins. In 1974 a book titled “Graham Greene: The Films of His Fiction” referenced the comments of Cain. The phrasing presented matched the version in the New York Times:[2]1974, Graham Greene: The Films of His Fiction by Gene D. Phillips, Series: Studies in Culture & Communication, Chapter 2, Quote Page 14, Teachers College Press, Teachers College, Columbia … Continue reading

The American novelist James M. Cain once remarked that he had rarely gone to see the screen version of one of his novels. “People tell me, don’t you care what they’ve done to your book? I tell them, they haven’t done anything to my book. It’s right there on the shelf. They paid me and that’s the end of it.”

Here are additional selected citations in chronological order.

Continue reading “They Haven’t Done Anything to My Book. It’s Right There on the Shelf”

References

References
↑1 1969 March 2, New York Times, Section: Book Review, The Wish of James M. Cain by John Leonard, Quote Page BR2, Column 3, New York. (ProQuest)
↑2 1974, Graham Greene: The Films of His Fiction by Gene D. Phillips, Series: Studies in Culture & Communication, Chapter 2, Quote Page 14, Teachers College Press, Teachers College, Columbia University, New York. (Verified on paper)

A Statue Has Never Been Set Up in Honour of a Critic

Zig Ziglar? Jean Sibelius? Bengt de Törne? Martha Graham? Agnes De Mille? Anonymous?

Dear Quote Investigator: When the famous motivational speaker Zig Ziglar died last year I saw a list of ten quotations ascribed to him. One was about criticism:

There has never been a statue erected to honor a critic.

I thought this was first said by a prominent music composer or dancer. Would you please explore this saying?

Quote Investigator: The earliest evidence of this saying known to QI appeared in 1937 in “Sibelius: A Close-Up” which discussed the life and works of the Finnish composer Jean Sibelius. This book was authored by another composer named Bengt de Törne, and he described an exchange he had with Sibelius. Emphasis added to excerpts by QI:[1] 1937, Sibelius: A Close-up by Bengt de Törne, Chapter 2, Quote Page 27, Faber and Faber Limited, London. (Verified with scans)

Then his voice changed in tone as he told me that he wanted to give me some good advice. ‘Never pay any attention to what critics say,’ he proceeded, and expatiated on this theme. When I ventured to put in the remark that their articles might sometimes be of great importance, he cut me short. ‘Remember,’ he said, ‘a statue has never been set up in honour of a critic!’

Here are additional selected citations in chronological order.

Continue reading “A Statue Has Never Been Set Up in Honour of a Critic”

References

References
↑1 1937, Sibelius: A Close-up by Bengt de Törne, Chapter 2, Quote Page 27, Faber and Faber Limited, London. (Verified with scans)

Quote Origin: All Actors Are Cattle

Alfred Hitchcock? Leonard Lyons? Apocryphal?

Illustration of a group of cattle from Quaritsch Photography at Unsplash

Question for Quote Investigator: Alfred Hitchcock was one of the greatest movie directors of the twentieth century in my opinion. A controversial quotation about actors has long been attributed to him:

All actors are cattle.

Did he really say this? Who was he speaking to?

Reply from Quote Investigator: There is good evidence that Alfred Hitchcock did refer to actors as cattle by 1940, and his astringent remark became widely known in Hollywood. Eventually he provided elaborations and playful variations. Details are given further below.

Hitchcock was not the first person to describe actors as cattle. A book published in 1900 discussed a court case between a prominent actor named William Charles Macready and a stage manager named Bunn. The manager was portrayed negatively because of his harsh attitude toward actors. Boldface added to excerpts by QI:1

The plaintiff in the case got little or no sympathy from the public, for he belonged to the order of manager, not yet totally extinct, who looks upon actors as cattle and plays as mere pens wherein to exhibit them at so much profit.

The earliest instance located by QI of Hitchcock using the phrase was reported by the popular gossip columnist Leonard Lyons in the Washington Post in July 1940. The remark was contained within a larger joke that zinged the acting skills of George Raft who often portrayed gangsters in melodramas:2

When Raft, incidentally, appeared in “The House Across the Bay,” his director was absent for one day, and Alfred Hitchcock was asked to help, by directing some closeups. “You know,” Hitchcock warned Raft, “that I think all actors are cattle?” Raft replied, “Yes, I know—but I’m no actor.”

In October 1940 an Associated Press article with a Hollywood dateline included an instance of the quotation. The George Raft joke was altered, and the location of the anecdote was moved from a film set to the home of a well-known actress:3 4

There is a locally-famous story about this Englishman’s attitude toward actors. One evening at Norma Shearer’s, breaking a conversational lull, Hitchcock pulled himself up portentously and announced: “All actors are cattle.” He hoped to provoke a stimulating argument.

After a stunned silence, George Raft, so goes the story, said “But no one ever called me an actor.”
And Hitchcock replied, quietly: “Yes, I know.”

Every actor in town knows the story, but all who have had the pleasure of working with the pudgy director say that whatever he may think of them as a class, he certainly is one of the few who can get the most out of all actors at all times.

Here are additional selected citations in chronological order.

Continue reading “Quote Origin: All Actors Are Cattle”

Don’t Tell Me the Moon Is Shining; Show Me the Glint of Light on Broken Glass

Anton Chekhov? Apocryphal?

Dear Quote Investigator: Recently I was reading a collection of writing tips designed for neophyte scribblers, and I came across a valuable piece of advice that was attributed to Anton Chekhov:

Don’t tell me the moon is shining; show me the glint of light on broken glass.

I have seen this statement several times before, and I believe it provides excellent direction, but no one states where it originally appeared. Did Chekhov really offer this counsel?

Quote Investigator: QI hypothesizes that this expression was constructed as a summary of the instructions Anton Chekhov gave to his brother in a letter written in 1886. The summary was eventually re-assigned directly to Chekhov. Below is an English language version of a passage from the letter which was originally written in Russian. The translation was performed by Avrahm Yarmolinsky and published in “The Unknown Chekhov” in 1954:[1]1954, The Unknown Chekhov: Stories and Other Writings Hitherto Untranslated by Anton Chekhov, Translated by Avrahm Yarmolinsky, Section: Introduction, Start Page 9, Quote Page 14, Noonday Press, New … Continue reading

In May, 1886, Chekhov wrote to his brother Alexander, who had literary ambitions: “In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball.”

There are crucial points of commonality between this passage and the abbreviated expression. Chekhov suggested using details to communicate the presence of moonlight. Also, the distinctive phrase “broken bottle glittered” was transformed into “glint of light on broken glass” in the summary.

Here are additional selected citations in chronological order.

Continue reading “Don’t Tell Me the Moon Is Shining; Show Me the Glint of Light on Broken Glass”

References

References
↑1 1954, The Unknown Chekhov: Stories and Other Writings Hitherto Untranslated by Anton Chekhov, Translated by Avrahm Yarmolinsky, Section: Introduction, Start Page 9, Quote Page 14, Noonday Press, New York. (Verified on paper)