Quote Investigator® – Page 66

Quote Origin: What Would Remain of Our Tragedies If a Literate Insect Were To Offer Us Hers?

Emil M. Cioran? W. H. Auden? Louis Kronenberger? Richard Howard? Apocryphal?

Question for Quote Investigator: Humans experience many tragedies, but contemplating the extreme hardships faced by other creatures provides a sobering perspective. The Romanian and French literary figure Emil M. Cioran said something like the following:

What would be left of our tragedies if an insect were to present us his?

Would you please help me to find a citation:

Reply from Quote Investigator: In 1952 Emil M. Cioran published “Syllogismes de l’amertume”. The title of this French book has been translated into English as “All Gall Is Divided” although a more direct rendering is “Syllogisms of Bitterness”. The following passage is from the 2013 Kindle edition:¹

Quand Eschyle ou Tacite vous semblent trop tièdes, ouvrez une Vie des Insectes – révélation de rage et d’inutilité, enfer qui, heureusement pour nous, n’aura ni dramaturge ni chroniqueur. Que resterait-il de nos tragédies si une bestiole lettrée nous présentait les siennes?

Richard Howard formulated the following translation:²

When Aeschylus or Tacitus seems tepid, open a Life of the Insects — a revelation of rage and futility, an inferno which, fortunately for us, will have neither a playwright nor a chronicler. What would remain of our tragedies if a literate bug were to offer us his?

Below are additional selected citations in chronological order.

Quote Origin: The Only Person You Are Destined To Become Is the Person You Decide To Be

Ralph Waldo Emerson? Nike Advertisement? Janet Champ? Charlotte Moore? Wieden & Kennedy? Pam Finger?

Question for Quote Investigator: Some people fear that their genes or social circumstances will restrict their life options and push them inexorably toward a foreordained destiny. An inspirational message presents a radically different viewpoint:

The only person you are destined to become is the person you decide to be.

This notion has been credited to transcendental philosopher Ralph Waldo Emerson, but I am skeptical of this attribution because I have never seen a solid citation. Would you please explore this topic?

Reply from Quote Investigator: The earliest match located by QI appeared in the advertising copy for a campaign launched by the footwear and apparel company Nike. A four-page spread appeared in the October 1991 issue of “Vogue” magazine. The ad text began with the following statement:¹

YOU DO NOT HAVE TO BE YOUR MOTHER UNLESS SHE IS WHO YOU WANT TO BE.

The ad text also included the target quotation:

SO IF YOU INHERIT SOMETHING, INHERIT THEIR STRENGTH. IF YOU INHERIT SOMETHING, INHERIT THEIR RESILIENCE. BECAUSE THE ONLY PERSON YOU ARE DESTINED TO BECOME IS THE PERSON YOU DECIDE TO BE.

The same advertisement appeared in other periodicals such as the December 1991 issue of “Cosmopolitan” magazine.²

In 1992 a brief piece in the “USA Weekend” newspaper section examined the question of who created the advertising campaign for Nike:³

Women, of course. Janet Champ and Charlotte Moore of the Portland, Ore.-based ad firm Wieden & Kennedy created the print ads — which men probably don’t get. “The only intention” of the campaign, which has won national awards, “is to empower women to be whatever they want,” Moore says. “And to make them feel good about being female.”

Below are additional selected citations in chronological order.

Quote Origin: I Never Vote For Anybody. I Always Vote Against

W. C. Fields? Franklin P. Adams? H. L. Mencken? Richard Croker? Franklin D. Roosevelt? Will Rogers?

Question for Quote Investigator: There is a family of sardonic sayings about the behavior of voters. Here are three examples:

I never vote for anybody. I always vote against.
People vote against somebody rather than for somebody.
The people never vote for anything. They always vote against something.

This viewpoint has been attributed to popular columnist Franklin P. Adams, curmudgeonly commentator H. L. Mencken, and star comedian W. C. Fields. Would you please explore this topic?

Reply from Quote Investigator: The earliest match located by QI appeared in a Pennsylvanian newspaper in 1893. Richard Croker, a powerful New York City politician, applied the saying to a group of political activists. Boldface added to excerpts by QI:¹

Boss Croker, of Tammany, defines a mugwump as a man who always votes against somebody and never votes for anybody. That’s a pretty clever description.

Franklin P. Adams used an instance of the saying in 1916, but he disclaimed credit for the expression. H. L. Mencken used an instance in 1925, but he also disclaimed credit. A version was ascribed to W. C. Fields in a 1949 biography. Detailed information appears further below.

Below are additional selected citations in chronological order.

Quote Origin: There Is Nothing As Mysterious As a Fact Clearly Described

Garry Winogrand? Diane Arbus? Sandra S. Phillips? John Dufresne? Apocryphal?

Question for Quote Investigator: A photograph presents a direct representation of a person, object, or landscape. It seems to provide a perfect unmediated description. Yet, photographs can be cryptic, confusing, or misleading. The photographer is typically a purposeful intermediary.

Garry Winogrand who became famous for his street photography made a pertinent observation. Here are three versions:

There is nothing as mysterious as a fact clearly described.
Nothing is quite so mysterious as a thing well-described.
Nothing is so mysterious as a fact clearly stated.

Would you please help me to find the correct phrasing together with a precise citation?

Reply from Quote Investigator: An exhibition of Garry Winogrand’s photographs was held from March 15, 1976 to April 2, 1976 at the Grossmont College Gallery in El Cajon, California. The accompanying catalog included an artist statement from Winogrand titled “Understanding Still Photographs”. He began with a quotation and a motto. Boldface added to excerpts by QI:¹

“The fact is the sweetest dream that labor knows.” Robert Frost

There is nothing as mysterious as a fact clearly described.

Winogrand’s short essay included the following statement about the unreality of photographs:

A still photograph is the illusion of a literal description of how a camera saw a piece of time and space.

Below are additional selected citations in chronological order.

Quote Origin: Even Stones Have a Love, A Love That Seeks the Ground

Meister Eckhart? C. De B. Evans? Victor Gollancz? George William Target? Sharon Blackie? Apocryphal?

Question for Quote Investigator: Some philosophers believe that mentality is ubiquitous in the universe. Thus, it is possible to assign volition to every entity, and even inanimate objects have a purpose. For example, an apple that falls from a tree might be seeking the ground. The following phrase has been attributed to the German theologian and mystic Meister Eckhart who lived in the 13th and 14th centuries:

A stone also possesses love, and its love seeks the ground.

This viewpoint can also be presented metaphorically and poetically with a non-literal interpretation. Would you please help me to find a citation?

Reply from Quote Investigator: In 1924 C. De B. Evans published English translations of works by Meister Eckhart based on manuscripts from a variety of sources including Franz Pfieffer. Sermon Thirty-Five titled “Stand in the Gate” contained the following passage. Boldface added to excerpts by QI:¹

Knowledge is the flux, for knowledge is hotter than love. But two are better than one. And this knowledge is laden with love. Love is fooled and caught by kindness: in love I hang about the gate turning a blind eye to the authentic vision. Even stones have love, a love that seeks the ground.

Below are additional selected citations in chronological order.

Quote Origin: To Die for an Idea Is To Place a Very High Price Upon Conjecture

Anatole France? François Rabelais? Michel de Montaigne? Lewis Piaget Shanks? Will Durant? Apocryphal?

Question for Quote Investigator: The French Nobel laureate Anatole France was skeptical of martyrdom. Here are three versions of a statement attributed to him:

To die for an idea is to set a pretty high value on conjectures.
To die for an idea is to put a very high value on one’s opinions.
To die for an idea is to set a rather high price upon guesswork.

Would you please help me to find the original statement in French?

Reply from Quote Investigator: In April 1889 Anatole France published a piece in “Le Temps” (“The Times”) newspaper of Paris in which he discussed a book about François Rabelais. France’s essay praised the controversial 16th century satirical writer for maintaining integrity while avoiding execution. The following is a statement from the essay together with one possible translation into English. Boldface added to excerpts by QI:¹

. . . mourir pour une idée, c’est mettre à bien haut prix des conjectures.

. . . to die for an idea is to place a very high price on conjectures.

Below are additional selected citations.

Quote Origin: If I Can Make About Five Good Scenes and Not Annoy the Audience, It’s an Awfully Good Picture

Howard Hawks? Martin Kasindorf? Alejandro Jodorowsky? Gene Siskel? Roger Ebert? Apocryphal?

Question for Quote Investigator: Howard Hawks was a leading director during the Golden Age of Hollywood. His oeuvre included “Scarface”, “Bringing Up Baby”, “The Big Sleep”, and “His Girl Friday”. He was never pretentious, and he followed a pragmatic strategy for creating his hugely successful motion pictures.

Hawks stated that he attempted to film three to five great scenes and no annoying or inept scenes. Accomplishing this goal generated an excellent movie. Would you please help me to find the precise phrasing Hawks used to express this thought together with an exact citation?

Reply from Quote Investigator: In November 1970 Howard Hawks attended the Chicago Film Festival, and he participated in a discussion with the audience. The interchange was transcribed and edited by Joseph McBride and Michael Wilmington, and it appeared in the 1972 book “Focus On Howard Hawks”.

The comment from Hawks presented below referenced the movie star John Wayne. The pair had created landmark movies such as “Rio Bravo” and “Red River”. Boldface added to excerpts by QI:¹

Question: Is there any film which stands out as being particularly satisfying to you?

Answer: … I think probably the last picture that worked out well is your favorite for a while, and then you start thinking about it and you go back a little further. Not that you’re trying to make every scene a great scene, but you try not to annoy the audience. If I can make about five good scenes and not annoy the audience, it’s an awfully good picture. I told John Wayne when we started to work together, “Duke, if you can make two good scenes and not annoy the audience for the rest of the film, you’ll be a star.”

Below are additional selected citations in chronological order.

Quote Origin: True Peace Is Not Merely the Absence of Tension; It Is the Presence of Justice

Martin Luther King? Elizabeth Tipton Derieux? Alton Hawkins? United Presbyterian Church? Apocryphal?

Question for Quote Investigator: A political activist once stated something like the following: Peace is more than the absence of conflict and tension. Genuine peace requires the presence of justice. This notion has been attributed to Martin Luther King Jr. Would you please explore this topic?

Reply from Quote Investigator: A match for this expression appeared in the 1964 collection “A Martin Luther King Treasury” within a chapter titled “Montgomery Before the Protest”. King described a conversation during which he employed the following line circa 1954-1955. Boldface added to excerpts by QI:¹

True peace is not merely the absence of tension; it is the presence of justice.

Below are additional selected citations in chronological order.

Quote Origin: No Matter Where You Go, There You Are

Buckaroo Banzai? Peter Weller? Earl Mac Rauch? Thomas à Kempis? W. H. Hutchings? Jim Russell? Jacqueline? C. Gordon Furbish? Jon Kabat-Zinn? Anonymous?

Question for Quote Investigator: The following saying is a profound guideline for mindfulness meditation; alternatively, it is a fun absurdist joke. Here are three versions:

Wherever you go, there you are.
No matter where you go, there you are.
Wherever you go, you will always find yourself.

The 1984 movie “The Adventures of Buckaroo Banzai Across the 8th Dimension” included this line, but I think this adage was already in circulation. Would you please explore this topic.

Reply from Quote Investigator: The earliest close match known to QI appeared in 1955 within the “Hazleton Collegian” periodical published by students attending Pennsylvania State University. A section titled “Oddities” printed humorous items from the community. Boldface added to excerpts by QI:¹

Jim Russell wants to know why it is that no matter where you go, there you are.

Below are additional selected citations in chronological order.

Quote Origin: I Quite Agree With You, But Who Are We Two Against So Many?

George Bernard Shaw? Oscar Wilde? Clarence Rook? Alexander Woollcott? Hesketh Pearson? Apocryphal?

Question for Quote Investigator: A playwright feared that his upcoming work was about to flop at the box office. After the surprisingly successful inaugural performance the bewildered playwright appeared on stage. Amongst the resounding cheers there was a barely audible hiss. The playwright addressed the lone detractor:

I quite agree with you, but what can we two do against a whole houseful of the opposite opinion?

George Bernard Shaw has received credit for this line. Would you please explore this popular anecdote?

Reply from Quote Investigator: The earliest match located by QI appeared in the Chicago, Illinois periodical “The Chap-Book” in November 1896. The Latin phrase “popularis aura” means “popular favor”. Boldface has been added to excerpts by QI:¹

I well remember how at the first night of “Arms and the Man” at the Avenue Theatre, after the audience had been successively puzzled, tickled and delighted, Shaw stepped before the curtain to face the applause. He was tremulous, unnerved, speechless. He looked as though he had expected cabbage stalks, and was disappointed. Suddenly a man in the Gallery began to hoot.

Shaw was himself again at once. He opened his lips, and amid the resulting silence he said, looking at the solitary malcontent. “I quite agree with my friend in the Gallery — but what are two against so many?” A single breath of opposition braced his energies. For Shaw is like the kite, and can rise only when the popularis aura is against him.

British journalist Clarence Rook penned the passage above, and apparently he directly witnessed Shaw deliver the line. The comedy “Arms and the Man” was first staged in April 1894 in London. Thus, Rook’s description appeared two years after the event. An earlier citation may exist, but QI has not yet uncovered it.

Below are additional selected citations in chronological order.