Quote Origin: You Are Not a Human Being Having a Spiritual Experience. You Are a Spiritual Being Having a Human Experience

Pierre Teilhard de Chardin? Wayne W. Dyer? Stephen R. Covey? Georges Gurdjieff? Anonymous?

Question for Quote Investigator: Antimetabole is a powerful rhetorical technique in which a phrase is repeated, but key elements are reordered. A popular statement about spirituality uses this strategy:

We are not human beings having a spiritual experience. We are spiritual beings having a human experience.

French philosopher and priest Pierre Teilhard de Chardin has received credit for this remark, but I have been unable to find a citation. Would you please help?

Reply from Quote Investigator: Researchers have not found this quotation in the works of Pierre Teilhard de Chardin who died 1955.

The earliest close match located by QI appeared in an advertisement in “Time” magazine in 1988. The automobile company Volkswagen invited the bestselling motivational author Wayne W. Dyer to craft “A Letter to the Next Generation”, and Dyer included the following rhetorical question aimed at people of the future. Emphasis added to excerpts by QI:1

Can you see yourselves as spiritual beings having a human experience, rather than human beings who may be having a spiritual experience?

Dyer elaborated on the question by discussing his three-year-old daughter who served him make believe food on toy dishes. She was expressing her love and caring for her father via invisible substances. He highlighted the importance of her beautiful thoughts and feelings which were also invisible. Dyer suggested that the father and daughter were spiritual beings.

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Quote Origin: I Know Artists Whose Medium Is Life Itself, and Who Express the Inexpressible Without Brush, Pencil, Chisel, or Guitar

Frederick Franck? Oscar Wilde? Donna J. Stone? J. Stone? Timothy Morrissey? Anonymous?

Question for Quote Investigator: Artists do not always require implements such as brushes, clay, chisels, hammers, or guitars to create works. Some artists use life itself as a medium. This fascinating notion has been expressed in a family of quotations that I have been attempting to trace. Would you be willing to help?

Reply from Quote Investigator: The earliest match located by QI appeared in the 1973 book “The Zen of Seeing: Seeing/Drawing As Meditation” by Frederick Franck. The work was extensively illustrated, and the text was handwritten. Emphasis added to excerpts by QI:1

And yet, I know artists whose medium is Life itself, and who express the inexpressible without brush, pencil, chisel, or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased Life. They SEE and don’t have to draw. They are the artists of being alive.

Researchers would have difficulty finding the text above in a modern computer database. The handwritten text is not properly converted to searchable text by current optical character recognition algorithms. Hence, Franck’s book is in the Google Books database, but it is not searchable. QI has verified the printed text above with the handwritten text.

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Quote Origin: All the Good Music’s Already Been Written By People With Wigs and Stuff On

Frank Zappa? Apocryphal?

Question for Quote Investigator: Iconoclastic musician and composer Frank Zappa was known for his trenchant cultural commentary. Apparently, he once stated that all the good music had already been created by the composers of an earlier era who stereotypically wore wigs. Would you please help me to find a citation

Reply from Quote Investigator: In November 1986 “The Progressive” published an interview with Frank Zappa conducted by freelance writers Batya Friedman and Steve Lyons. Zappa was asked about the place of the composer in contemporary society. Emphasis added to excerpts by QI:1

I don’t think a composer has any function in society at all, especially in an industrial society, unless it is writing music scores, advertising jingles, or stuff that is consumed in industry.

Zappa included a provocative statement about the novelty of modern music:

All the good music’s already been written by people with wigs and stuff on.

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Quote Origin: You Cannot Control the Length of Your Life, But You Can Control Its Width and Depth

Evan Esar? H. L. Mencken? Exchange? Anonymous?

Question for Quote Investigator: The key to achieving equanimity and contentment in life is accurately assessing what is within your control and what is beyond your control. The following figurative adage is instructive:

You can’t do anything about the length of your life, but you can do something about its width and depth.

These words have been ascribed to quotation collector Evan Esar and acerbic pundit H. L. Mencken. Would you please explore this topic?

Reply from Quote Investigator: Evan Esar did include this saying in a collection he published in 1968, but it was already in circulation, and he did not craft it. H. L. Mencken did receive credit for the statement by the 1980s, but he died in 1956, and there is no substantive evidence that he coined it.

The earliest close match located by QI appeared in a California newspaper in 1924 which acknowledged the journal “Exchange”. The elaborate saying contained ten parts. The first nine parts were implicitly prefaced with the phrase “You cannot control”. Below are the first three parts together with the final part. Emphasis added to excerpts by QI:1

YOU CANNOT CONTROL
The length of your life, but you can control its width and depth.
The contour of your countenance, but you can control its expression.
The other fellow’s opportunities, but you can grasp your own.
. . .
Why worry about things you can’t control? Get busy controlling the things that you can.—Exchange.

QI has not yet determined the issue of “Exchange” containing this saying. Nor has QI determined the identity of the creator. Thus, for now, the quotation remains anonymous.

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Quote Origin: Education ‘To Earn a Living’ Will Become an Anachronism

Buckminster Fuller? Apocryphal?

Question for Quote Investigator: In recent years the discussion of artificial intelligence and robotics replacing human workers has resurfaced. In addition, economic ideas such as universal basic income have been proposed to ameliorate societal dislocations. I am reminded of discourses from the 1960s.

The controversial pathbreaking inventor and futurist R. Buckminster Fuller believed that large-scale automation was going to render obsolete the requirement that each person ‘earn a living’. Instead, he thought individuals would engage in life-long education based on self-selected goals and desires. Would you please help me to find a citation?

Reply from Quote Investigator: In 1961 Southern Illinois University asked R. Buckminster Fuller to share his ideas about building an entirely new college campus. Fuller delivered a lecture which was turned into a book titled “Education Automation: Freeing the Scholar to Return to His Studies” published in 1962. Fuller touched upon the following theme several times during his career. Emphasis added to excerpts by QI:1

Much of the educational system today is aimed at answering: “How am I going to survive? How am I going to get a job? I must earn a living.” That is the priority item under which we are working all the time—the idea of having to earn a living. That problem of “how are we going to earn a living?” is going to go out the historical window, forever, in the next decade, and education is going to be disembarrassed of the unseen “practical” priority bogeyman. Education will then be concerned primarily with exploring to discover not only more about the universe and its history but about what the universe is trying to do, about why man is part of it, and about how can, and may man best function in universal evolution.

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Quote Origin: I Say Hardly Any of Those Clever Things That Are Attributed To Me

Dorothy Parker? Yogi Berra? Apocryphal?

Question for Quote Investigator: Numerous sharp remarks have been credited incorrectly to the well-known wit Dorothy Parker. She was well aware of these misattributions, and she once commented that many of those clever remarks were not hers. Would you please help me to find a citation for her general disclaimer?

Reply from Quote Investigator: In 1941 journalist Hubbard Keavy spoke to Dorothy Parker and asked about the proliferation of epigrams and witticisms ascribed to her. She replied with humor. The ellipsis was in the original text. Emphasis added to excerpts by QI:1

“Quips? Oh. Ridiculous, isn’t it? To have such a reputation, I mean.

“I am not witty and I am not funny. But I do have a reputation as a smarty pants…I say hardly any of those clever things that are attributed to me. I wouldn’t have time to earn a living if I said all those things.

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Quote Origin: In Order To Be Irreplaceable One Must Always Be Different

Coco Chanel? Marcel Haedrich? Apocryphal?

Question for Quote Investigator: A cookie created with a cookie cutter is easily replaceable, and this fact lowers its perceived value. This baking utensil is employed in a metaphorical insult targeting lack of originality, e.g., cookie-cutter clothes and cookie-cutter houses.

Understandably, people like to view themselves as irreplaceable. Yet, to achieve this distinction a person must be in some way unique. The famous fashion designer Coco Chanel made this point in a quotation. Would you please help me to find a citation?.

Reply from Quote Investigator: Coco Chanel (Gabrielle Bonheur Chanel) died in 1971, and in that same year, French journalist Marcel Haedrich published “Coco Chanel: Secrète” which included a section listing quotations ascribed to Chanel titled “Elle disait” (“She said”). The following were three of her remarks in the original French. Emphasis added to excerpts by QI:1

En matière de mode aussi, il n’y a que les imbéciles qui ne changent pas d’avis.

La couleur? Celle qui vous va.

Pour être irremplaçable, il faut rester différente.

The translation of Haedrich’s book into English appeared a year later under the title “Coco Chanel: Her Life, Her Secrets”. The three statements above were rendered as follows:2

That it is only fools who never change their views applies as well in fashion.

What is the best color? The one that most becomes you.

In order to be irreplaceable one must always be different.

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Quote Origin: Don’t Pray When It Rains If You Don’t Pray When the Sun Shines

Satchel Paige? Billy Sunday? Hal Boyle? Apocryphal? Anonymous?

Question for Quote Investigator: Prayers are typically offered when a dangerous situation is encountered or when a disturbing event occurs. Yet, prayers of joy and thankfulness are also appropriate when something positive happens. The following metaphorical guidance is pertinent:

Don’t pray when it rains if you don’t pray when the sun shines.

These words have been credited to the acclaimed baseball pitcher Leroy Paige (Satchel Paige). Would you please explore this topic?

Reply from Quote Investigator: In 1959 Hal Boyle, a columnist with the Associated Press, wrote a piece about Satchel Paige that included quotations from the Hall of Famer . Emphasis added to excerpts by QI:1

“Never let your head hang down. Never give up and sit down and grieve. Find another way. And don’t pray when it rains if you don’t pray when the sun shines.

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Quote Origin: You Might Dispense With Half Your Doctors If You Would Only Consult Doctor Sun More

Henry Ward Beecher? Apocryphal?

Question for Quote Investigator: The famous nineteenth-century clergyman, social reformer, and orator Henry Ward Beecher offered some intriguingly modern health advice. He felt that people should “consult Doctor Sun more”. They should frequently enjoy the open air, sunlight, and rain. Would you please help me to find a citation?

Reply from Quote Investigator: On May 6th, 1860 Henry Ward Beecher spoke at Plymouth Church of New York City before the Brooklyn Young Men’s Christian Association. His speech on “Physical Culture” appeared in “The American Phrenological Journal”. Boldface added to excerpts by QI:1

There are here and there men found wise enough to take a portion of every day for some form of exercise—to live for hours in the open air every day. The very sun itself is doctor. I think you might dispense with half your doctors if you would only consult Doctor Sun more, and be more under the treatment of those great hydropathic doctors, the clouds! To be in the rain will do you good, if you only keep stirring. To be much in the open air every day, rain or shine, summer or winter, I consider one of the indispensable conditions of general health.

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Dialogue Origin: “Did Hamlet Have an Affair with Ophelia?” “In My Theater Company, Invariably”

John Barrymore? Walter Sichel? William Powell Frith? Anonymous Scene-Shifter? Johnston Forbes-Robertson? Arthur Machen? Cedric Hardwicke? Errol Flynn?

Question for Quote Investigator: The theater world has long been known for complex tempestuous relationships between cast members on and off the stage. One comical tale concerns the ambiguous relationship between Hamlet and Ophelia presented in William Shakespeare’s renowned tragedy.

An inquisitive theatergoer asked a well-known stage manager, “Did Hamlet have an affair with Ophelia?” The manager quickly responded, “In my company, always”.

Would you please explore the history of this tale?

Reply from Quote Investigator: In 1923 “The Sands of Time: Recollections and Reflections” by Walter Sichel appeared. The author relayed a story he heard from the painter William Powell Frith who died in 1909. Emphasis added to excerpts by QI:1

At one time he delighted to go behind the scenes of the theatre and chat with the scene-shifters. One of them appeared very intelligent, and Mr. Frith asked him if he had ever himself been a player. He had, in the provinces. Had he ever acted Shakespeare? Of course he had, he had played in ‘Amlick, he had, indeed, acted the chief part.

“Very interesting,” said Mr. Frith, “please tell me what is your conception of Hamlet’s relation to Ophelia. Did he, so to speak, love her not wisely but too well?“I don’t know, sir, if ‘Amlick did, but I did,” was the unblushing answer.

The key line was delivered by an anonymous thespian who also worked as a member of a stage crew. This family of anecdotes is highly variable in expression; thus, the origin is difficult to trace.

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