Quote Investigator® – Page 85

Anecdote Origin: “Tell Us One of Your Famous Stories” “‘Twas a Dark and Fearsome Night”

Antonio? Canfield and Carlton? Anonymous?

Question for Quote Investigator: Experimental fiction and metafiction became influential in literary circles during the 1960s and 1970s. Yet, I recall a playful story from the beginning of the twentieth century that used recursion. A character named Antonio presented a comically nested tale to a group of brigands. Would you please help me to find a citation?

Reply from Quote Investigator: A good example of this convoluted narrative appeared in “The Buffalo Times” of New York in March 1900. Boldface added to excerpts by QI:¹

‘Twas a dark and fearsome night. Brigands great and brigands small were gathered around the camp fire. “Come, Antonio,” they called to the terrible chief, “tell us one of your famous stories.” And Antonio arose and said:

“‘Twas a dark and fearsome night. Brigands great and brigands small were gathered around the camp fire. ‘Come, Antonio,’ they called to the terrible chief, ‘Tell us one of your famous stories.’ And Antonio arose and said:

“‘Twas a dark and fearsome,” etc., etc., indefinitely.

There is strong evidence that this metafictional tale was already circulating a few months earlier. The following excerpt appeared in the “Buffalo Evening News” of New York in January 1900. The tale was referenced, but it was not fully explicated:²

And then, possibly Gen. White, like Antonio, may be seated round the fire with brigands great and brigands small, and may tell us of one of his fa-a-a-mous victories.

Below are additional selected citations in chronological order.

Quote Origin: The Purpose of the Writer Is To Keep Civilization from Destroying Itself

Bernard Malamud? Albert Camus? Harris Wofford? Anonymous?

Question for Quote Investigator: Having a grand mission to achieve with your life helps to generate a powerful motivational force. Apparently, one scribe asserted that:

The purpose of the writer is to keep civilization from destroying itself.

This remark has been credited to the famous existential philosopher Albert Camus and to the prominent novelist and short story writer Bernard Malamud. Would you please explore this topic?

Reply from Quote Investigator: In December 1957 Albert Camus was awarded the Nobel Prize in Literature and while delivering the Banquet speech he made a point that partially matched the quotation under examination. Boldface added to excerpts by QI:¹

Each generation doubtless feels called upon to reform the world. Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself.

The above remark was not specifically about writers; instead, Camus referred to his entire generation. More information about his statement is available here. Camus delivered his speech in French.

In September 1958 Bernard Malamud was interviewed by the journalist Joseph Wershba of “The New York Post”, and he delivered a line that exactly matched the statement under investigation:²

“The purpose of the writer,” says Malamud, “is to keep civilization from destroying itself. But without preachment. Artists, cannot be ministers. As soon as they attempt it, they destroy their artistry.”

Malamud may have heard the comment from Camus before he constructed a similar exhortation particularized to writers.

Below are additional selected citations in chronological order.

Quote Origin: The Task of My Generation Consists in Preventing the World from Destroying Itself

Albert Camus? Apocryphal?

Question for Quote Investigator: Nuclear and biological warfare present ongoing existential risks for mankind. Environmental degradation presents another set of risks. The crucial task for this generation is to prevent the world from destroying itself. Apparently, the French existentialist philosopher Albert Camus highlighted this task of self-preservation back in the 1950s. Would you please help me to find a citation?

Reply from Quote Investigator: Albert Camus won the Nobel Prize in Literature for 1957. During his speech he discussed the dangers facing mankind. Boldface added to excerpts by QI:¹

Chaque génération, sans doute, se croit vouée à refaire le monde. La mienne sait pourtant qu’elle ne le refera pas. Mais sa tâche est peut-être plus grande. Elle consiste à empêcher que le monde se défasse.

Here is one possible rendering into English of the passage above:²

Each generation doubtless feels called upon to reform the world. Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself.

Below are additional selected citations in chronological order.

Quote Origin: The Best Way To Lift One’s Self Up Is To Help Some One Else

Booker T. Washington? Apocryphal?

Question for Quote Investigator: If you desire to improve your condition in life or lift yourself up then you should help someone else to achieve a better life. The famous educator and orator Booker T. Washington made this point eloquently. Would you please help me to find a citation?

Reply from Quote Investigator: In 1900 Booker T. Washington published “The Story of My Life and Work” which include the following. Boldface added to excerpts by QI:¹

I think I have learned that the best way to lift one’s self up is to help some one else.

Below are additional selected citations in chronological order.

Quote Origin: When I Hear Artists or Authors Making Fun of Business Men I Think of a Regiment in Which the Band Makes Fun of the Cooks

H. L. Mencken? Robert E. Adams? Apocryphal? Anonymous?

Question for Quote Investigator: Acerbic commentator H. L. Mencken has received credit for a figurative remark that mentions military bands and military cooks. Yet, I have been unable to find a solid citation. Would you please examine this topic?

Reply from Quote Investigator: In 1942 H. L. Mencken published a massive compilation titled “A New Dictionary of Quotations on Historical Principles from Ancient and Modern Sources”, and he included the following entry:¹

When I hear artists or authors making fun of business men I think of a regiment in which the band makes fun of the cooks. IBID.

The term “IBID” meant that the source for the quotation was the same as the source for the previous quotation. Interestingly, the previous quotation listed in the book specified “Author unidentified”. Thus, the quotation under analysis is anonymous.

The 1944 occurrence is the earliest one located by QI. The confusion about authorship is due to the presence of the quotation in Mencken’s compilation. Some readers ignored or misunderstood the fact that Mencken had labeled the statement anonymous.

Below are additional selected citations in chronological order.

Quote Origin: We Attend the Openings of Envelopes

Andy Warhol? Sylvia Miles? Wayland Flowers? Jack O’Brian? Rex Reed? Olivia Goldsmith? Ivana Trump? Anonymous?

Question for Quote Investigator: The opening of an exciting theatrical production or an innovative art museum can be a prestigious event with an impressive guest list. Yet, many openings are weary exercises in public relations with unremarkable attendees. A self-promoter who showed up at a large number of openings delivered the following gently mocking line:

I would attend the opening of an envelope.

The same barb has comically been aimed at a well-known performer:

That person would attend the opening of an envelope.

The famous pop artist Andy Warhol and the Academy Award nominated actress Sylvia Miles have been linked to these lines. Would you please explore this family of quips?

Reply from Quote Investigator: The earliest match located by QI appeared in the Broadway gossip column of Jack O’Brian in 1974. The actress Sylvia Miles was the target of an elaborate version of the jest. The ellipsis in the following appeared in the original text. Boldface added to excerpts:¹

A carbonated Sylvia Miles of course turned up at Cue Mag’s salute to Debbie Reynolds; Syl turns up at all openings; last week the madcap mummer attended half a dozen openings, including one envelope, two appendectomies and a cellar door . . . It’s not a good opening if it’s Miles-away.

Below are additional selected citations in chronological order.

Quote Origin: I Am a Lie That Always Tells the Truth

Jean Cocteau? Pablo Picasso? Herbert V. Prochnow? Apocryphal?

Question for Quote Investigator: The life mission of an artist is paradoxical. Masterpieces are not subservient to narrow facticity. Representing truths and insights requires the imaginative transformation of raw materials. Here are two versions of an energizing maxim for artists:

I am a lie that always speaks the truth.
I am a lie that always tells the truth.

The saying above has been attributed to the French poet Jean Cocteau who has also been credited with this variant statement:

The poet is a liar who always speaks the truth.

Would you please explore this topic?

Reply from Quote Investigator: An important precursor of this remark appeared in 1922 within “Le Secret Professionnel” (“Professional Secrets”) by Jean Cocteau. Boldface added to excerpts by QI:¹

On a coutume de représenter la poésie comme une dame voilée, langoureuse, étendue sur un nuage. Cette dame a une voix musicale et ne dit que des mensonges.

Here is one possible rendering into English:

It is customary to portray poetry as a veiled, languid woman reclining on a cloud. This lady has a musical voice and says nothing but lies.

Another interesting precursor was crafted by the prominent painter Pablo Picasso when he was interviewed by the New York City periodical “The Arts: An Illustrated Monthly Magazine” in 1923. His responses in Spanish were translated into English:

We all know that art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand.

A QI article about Picasso’s statement is available here.

Between 1925 and 1927 Cocteau composed a collection of poems published as “Opéra”. The disease of leprosy was used metaphorically to depict mental disintegration and despair within the poem “Le Paquet Rouge” (“The Red Package”) which included a line that matched the quotation under examination. An excerpt from the poem appeared in the Paris newspaper “Comœdia” in 1927:²

J’ai lâché le paquet. Qu’on m’enferme. Qu’on me lynche. Comprenne qui pourra : je suis un mensonge qui dit toujours la vérité.

Here is one possible rendering into English:

I dropped the package. That shut me up. Let me be lynched. Understand who can: I am a lie who always tells the truth.

Below are additional selected citations in chronological order.

Quote Origin: A Facility for Quotation Covers the Absence of Original Thought

Dorothy L. Sayers? Lord Peter Wimsey? Harriet Vane? Philip Broadley? Apocryphal?

Question for Quote Investigator: I have found the perfect sardonic motto for the QI website:

A facility for quotation covers the absence of original thought.

According to the “Encarta Book of Quotations”¹ these words were spoken by the character Lord Peter Wimsey in the 1935 novel “Gaudy Night” by the acclaimed mystery writer Dorothy L. Sayers.

Prepare for the twist ending of this message. I have “Gaudy Night” on my bookshelf, but I have been unable to find this quotation. Would you please help to solve this vexatious mystery?

Reply from Quote Investigator: QI has examined two editions² of “Gaudy Night”³ and has been unable to find this quip; hence, QI believes that the “Encarta” reference book is mistaken.

Interestingly, a different novel by Sayers contains a very similar remark by Lord Peter Wimsey. He delivered the following line in the 1932 novel “Have His Carcase”. Boldface added to excerpts by QI:⁴

“I always have a quotation for everything—it saves original thinking.”

“Blast the man!” said Harriet, left abruptly alone in the blue-plush lounge.

Below are additional selected citations that assist in the resolution of this whodunit.

Quote Origin: Art Is a Lie That Makes Us Realize Truth

Pablo Picasso? Jean Cocteau? Dorothy Allison? Henry A. Murray? Peter De Vries? Albert Camus? Julie Burchill? Apocryphal?

Question for Quote Investigator: Art works such as novels, paintings, and sculptures embody a stylized and distorted representation of the world. Yet, deep truths can best be expressed by deviating from the straitjacket of verisimilitude. Here are four versions of a paradoxical adage:

Art is the lie that enables us to realize the truth.
Art is a lie which allows us to approach truth
Art is a lie that makes us realize truth
Art is the lie that reveals truth.

Different versions of this maxim have been applied to fiction, poetry, and drama. The saying has been attributed to the Spanish painter and sculptor Pablo Picasso, the French poet Jean Cocteau, and the French existentialist Albert Camus. Would you please explore this statement?

Reply from Quote Investigator: In 1923 the New York City periodical “The Arts: An Illustrated Monthly Magazine Covering All Phases of Ancient and Modern Art” interviewed Pablo Picasso. His responses in Spanish were translated into English. Boldface added to excerpts by QI:¹

We all know that art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his work that he has searched, and re-searched, for the way to put over his lies, he would never accomplish any thing.

Below are additional selected citations in chronological order.

Quote Origin: If I Cease Becoming Better, I Shall Soon Cease To Be Good

Oliver Cromwell? John Andrewes? Earl of Chichester? Mark Antony Lower? Viscount Fauconberg? Apocryphal?

Question for Quote Investigator: A popular saying extols continuous improvement. Here are four versions:

He who ceases to be better ceases to be good.
He who ceases to improve, ceases to be good.
If I cease becoming better, I shall soon cease to be good.
If I am not better I am not good.

This saying has been credited to the controversial English military and political leader Oliver Cromwell. Would you please explore this adage?

Reply from Quote Investigator: This adage was in circulation by 1621 when it appeared in a book titled “A celestiall looking-glasse to behold the beauty of heauen” by John Andrewes. Spelling had not yet been standardized when this book was published. A section called “An Apologie of the Author to the Reader” contained a Latin version of the saying together with an English translation. Boldface added to excerpts by QI:¹

Qui cessat esse melior, cessat esse bonus.
Hee that ceasseth to be better, ceasseth to be good

A contemporary formulation of this statement would be:

He that ceases to be better, ceases to be good

In 1630 the Latin expression appeared in a collection titled “Panacea: or, Select Aphorismes, Diuine and Morall”:²

It is not enough to repent, but thou must proceed from grace to grace, if thou wouldst atchieue the Crowne of Glory:
(Nam qui cessat esse melior, cessat esse bonus.)

Oliver Cromwell died in 1658, and the earliest linkage of the saying to the famous leader located by QI appeared almost two centuries later. An article titled “Remarks on the Pocket Bible of Oliver Cromwell with His Autograph” was read at an 1848 meeting of the Sussex Archaeological Society of England, and the article was printed in a volume of the “Sussex Archaeological Collections” in 1849:³

At the Society’s Annual Meeting, held at Lewes, 10th of August, 1848, the Earl of Chichester, one of the vice presidents of the Society, exhibited the Pocket Bible of Oliver Cromwell. It is the edition of 1645, “printed for the assignes of Robert Barker,” and is plainly bound, for portability, in four thin volumes. The autograph of the original proprietor is written at the beginning of the third volume only:

The Earl of Chichester believed that the large O and C were the authentic signature of Oliver Cromwell. The Latin statement accompanying the signature can be translated in several different ways. Here is another possible rendering:

Qui cessat esse melior cessat esse bonus
He who ceases to improve, ceases to be good

Below are additional selected citations in chronological order.