Quote Investigator® – Page 38

Quote Origin: To Get the Full Value of a Joy You Must Have Somebody To Divide It With

Mark Twain? Arthur T. Pierson? Apocryphal?

Question for Quote Investigator: To experience a joyful event completely one should share it with others. I think Mark Twain made a point similar to this in his collection of sayings called “Pudd’nhead Wilson’s New Calendar”. Would you please help me to find a citation?

Reply from Quote Investigator: In 1897 Mark Twain released a travel book titled “Following the Equator: A Journey Around the World”, and the 48th chapter presented the following epigraph. Boldface added to excerpts by QI:¹

Grief can take care of itself; but to get the full value of a joy you must have somebody to divide it with. —Pudd’nhead Wilson’s New Calendar.

Below are additional selected citations in chronological order.

Quote Origin: Each Time You Fail, Start All Over Again, and You Will Grow Stronger

Hellen Keller? Anne Sullivan? Apocryphal?

Question for Quote Investigator: There is an inspirational saying about beginning a task again even when you fail. Eventually, you will accomplish your purpose although it may not be exactly the purpose with which you began.

This notion has been attributed to Anne Sullivan who was the brilliant teacher of Helen Keller who overcame great adversities in her life. Would you please help me to find the correct phrasing together with a citation?

Reply from Quote Investigator: Anne Sullivan died in 1936. In 1955 Helen Keller wrote a book praising her instructor and companion titled “Teacher: Anne Sullivan Macy”. Keller credited Sullivan with offering the following motivational guidance. Boldface added to excerpts by QI:¹

. . . “No matter what happens, keep on beginning and failing. Each time you fail, start all over again, and you will grow stronger until you find that you have accomplished a purpose—not the one you began with, perhaps, but one that you will be glad to remember.”

And who shall count the innumerable times that she tried, failed, and conquered?

Below are additional selected citations in chronological order.

Quote Origin: Nothing Succeeds Like Undress

Dorothy Parker? Oscar Wilde? Alexandre Dumas? Anonymous?

Question for Quote Investigator: While streaming an elaborately expensive television series I encountered a gratuitous scene with scanty clothing. I was reminded of this witticism: Nothing succeeds like undress.

This quip has been attributed to Dorothy Parker. Would you please explore the provenance of this remark?

Reply from Quote Investigator: The earliest close match located by QI appeared in January 1906 in a New Castle, Pennsylvania newspaper within a column featuring miscellaneous comical remarks. Boldface added to excerpts by QI:¹

Motto for Ladies at the Opera—Nothing succeeds like undress.—Town Topics.

Thus, the creator was anonymous. Dorothy Parker used this quip in 1918 after it was already in circulation. Here is an overview with dates of the pertinent family of sayings:

1827: Rien ne réussit comme un succès.(Jacques-François Ancelot)

1847 Nov: Nothing succeeds like success. (English translation of Alexandre Dumas)

1893: Nothing succeeds like excess. (Oscar Wilde)

1904 Mar: Nothing recedes like success. (Anonymous)

1904 Nov: Nothing recedes like ex-success. (Duncan M. Smith)

1906 Jan: Nothing succeeds like undress. (Anonymous)

1918 Apr: Nothing succeeds like undress. (Dorothy Parker)

A separate Quote Investigator article centered on the saying “Nothing succeeds like success” is available here.

Below are additional selected citations in chronological order.

Maxim Origin: Nothing Succeeds Like Success

Alexandre Dumas? Ralph Waldo Emerson? William J. Snelling? Jacques-François Ancelot? Jules Janin? William Pulling? Alphonse de Lamartine? Anonymous?

Question for Quote Investigator: One success often leads to another success in a chain of achievement, opportunity, and good fortune. A popular adage expresses this idea:

Nothing succeeds like success.

This phrase has been attributed to several French writers including Alexandre Dumas who wrote “Le Comte de Monte-Cristo” (“The Count of Monte Cristo”). Would you please explore this topic?

Reply from Quote Investigator: This adage evolved over time, and the earliest instances located by QI occurred in French. The saying moved from French to English by 1847. QI believes that the origin of this saying is best described as anonymous. Here is an overview with dates:

1826: Rien ne réussit en France comme le succès. (Nothing succeeds in France like success.) Written by M.R.

1827: Rien ne réussit comme un succès. (Nothing succeeds like a success.) Written by Jacques-François Ancelot

1837: Rien ne réussit comme le succès. (Nothing succeeds like success.) Attributed to Jules Janin

1847: Nothing succeeds like success. Written by William J. Snelling who was translating a story by Alexandre Dumas into English

In 1826 “Le Mercure du dix-neuvième siècle” (“The Nineteenth Century Mercury”) published an article by a music critic who used the initials M.R. The critic employed a version of the saying while praising a piece of music. Passages in French in this article are followed by English translations. Boldface added to excepts by QI:¹

On a déjà dit que rien ne réussit en France comme le succès: vous allez voir réussir celui-ci.

It has already been said that nothing succeeds in France like success: you are going to see this one succeed.

Below are additional selected citations in chronological order.

Quote Origin: To My Mind, There Could Be No Greater Character To Play Than Othello

Paul Robeson? William Shakespeare? Apocryphal?

Question for Quote Investigator: A prominent actor once discussed William Shakespeare’s tragic character Othello and said the following:

There could be no greater character to play.

This statement has been attributed to Paul Robeson. Would you please explore this topic.

Reply from Quote Investigator: Paul Robeson played the character Othello in London in 1930. He also performed the character on Broadway in 1943 and 1944. Othello became Robeson’s best-known role.

The American Archive of Public Broadcasting contains a video of the April 9, 1998 episode of “The NewsHour with Jim Lehrer”. The episode included a segment from an interview with Paul Robeson conducted in 1959. Boldface added to excerpts by QI:¹

PAUL ROBESON: Shakespeare posed this problem of a say black man in a white society in the role that he’s playing. And Shakespeare gave Othello such dignity—he came not from—as he said—not from hate but from honor, from a sense of his own human dignity. And to me, to my mind, there could be no greater character to play.

Below is one additional selected citation.

Quote Origin: Inspiration Is for Amateurs—The Rest of Us Just Show Up and Get To Work

Chuck Close? Stephen King? Philip Roth? Harvey Mackay? Mark Twain? Charles Schulz? Rosalyn Drexler? John Barkham? Nocona Burgess? Jill Elaine Hughes?

Question for Quote Investigator: An artist must wait patiently for inspiration to occur according to a romanticized depiction of creativity. Yet, a successful professional artist offered the following contrary viewpoint:

Inspiration is for amateurs. The rest of us just show up and get to work.

This notion has been attributed to acclaimed photorealist painter Chuck Close, popular horror writer Stephen King, Noble Prize-winning author Philip Roth, motivational columnist Harvey Mackay, and others. Would you please explore this topic?

Reply from Quote Investigator: In April 2006 Chuck Close was interviewed by fellow artist Joe Fig. The interview appeared in the 2009 book “Inside the Painter’s Studio”. The text below consists of a question posed by Fig followed by a reply from Close. Boldface added to excerpts by QI:¹

Do you have a motto or creed that as an artist you live by?

Inspiration is for amateurs—the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will—through work—bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great “art idea.”

Interestingly, a character in a novel by Philip Roth employed a version of this saying while crediting Chuck Close. Also, Stephen King used a version while crediting Roth. Thus, the confusion about attribution is understandable. Details are presented further below.

Here are additional selected citations in chronological order.

Quote Origin: Nothing Is Ever Really Lost To Us As Long As We Remember It

Lucy Maud Montgomery? Adelaide Anne Procter? Walt Whitman? Apocryphal?

Question for Quote Investigator: The popular Canadian author Lucy Maud Montgomery is best known for the children’s novel “Anne of Green Gables”. Apparently, she once made a powerful statement about transience, mortality, and memory:

Nothing is ever really lost to us as long as we remember it.

Numerous webpages claim that this quotation appeared in Montgomery’s 1911 novel “The Story Girl”, but I have carefully searched that novel, and the quotation is absent. Would you please help to find a correct citation?

Reply from Quote Investigator: The quotation did not appear in “The Story Girl”; however, it did appear in the 1913 sequel by Lucy Maud Montgomery titled “The Golden Road”. Both works featured a character named Sara Stanley who was referred to as the Story Girl. The quotation was spoken by her father who was discussing Sara’s departed mother. Boldface added to excerpts by QI:¹

“She was as slim and lithe as a young, white-stemmed birch tree. How I loved her! How happy we were! But he who accepts human love must bind it to his soul with pain, and she is not lost to me. Nothing is ever really lost to us as long as we remember it.”

Below are additional selected citations in chronological order.

Quote Origin: Imagination Is a Good Servant, But a Bad Master

Agatha Christie? Hercule Poirot? John Jortin? Maria Edgeworth? ‎Richard Lovell? Letitia Elizabeth Landon? Anonymous?

Question for Quote Investigator: Creativity and inventiveness are wonderful attributes, but an overly imaginative person is prone to self-deception. Here is a cogent adage:

Imagination is a good servant, but a bad master.

This saying as been attributed to the famous English mystery author Agatha Christie. Would you please explore this topic?

Reply from Quote Investigator: Agatha Christie published “The Mysterious Affair at Styles” in 1920. The main character, detective Hercule Poirot, used the expression while conversing with a friend who had made an incorrect deduction. Boldface added to excerpts by QI:¹

“I must confess that the conclusions I drew from those few scribbled words were quite erroneous.”

He smiled.

“You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely.”

Interestingly, Agatha Christie did not craft this adage. It has been circulating for a few hundred years.

Below are additional selected citations in chronological order.

Quote Origin: I Require Only Three Things of a Man. He Must Be Handsome, Ruthless, and Stupid

Dorothy Parker? John Keats? Richard L. Jenkins? Apocryphal?

Question for Quote Investigator: A prominent witty woman once described three qualities she desired in a man. He must be handsome, ruthless, and stupid. This viewpoint has been ascribed to poet and critic Dorothy Parker. Would you please help me to find a citation?

Reply from Quote Investigator: Dorothy Parker died in 1967. The earliest match for this expression known to QI appeared in the 1970 biography “You Might as Well Live: The Life and Times of Dorothy Parker” by John Keats. Boldface added to excerpts by QI:¹

She decided to give life another chance. “Into love and out again/Thus I went and thus I go,” she said, and so it was with her. She would give love another chance, too, but this time on her own terms.

“I require only three things of a man,” she said. “He must be handsome, ruthless, and stupid.”

The first quotation above concerning love is from the eight-line poem “Theory” which appeared in Parker’s 1928 collection “Sunset Gun”.²

The second quotation about Parker’s three requirements has not been antedated, and John Keats did not provide a citation. Nevertheless, researchers find the attribution credible.

Below are additional selected citations in chronological order.

Quote Origin: She is Happy, For She Knows That Her Dust Is Very Pretty

Dorothy Parker? Franklin Pierce Adams? Apocryphal?

Question for Quote Investigator: The notable wit Dorothy Parker constructed several epitaphs. I am interested in the following:

She is happy, for she knows
That her dust is very pretty.

This topic is confusing because I’ve also seen a different version of these lines:

She is happy, for she knows
That her dust is very charming.

Did Parker craft either of these? Does either appear on her headstone?

Reply from Quote Investigator: QI has examined several other epitaphs that have been attributed to Dorothy Parker. Here is a link to a webpage with pointers to the separate analyses.

Dorothy Parker died in 1967. Her last will and testament did not specify where she wished her remains to rest. Her parents and grandparents were buried in Woodlawn Cemetery in the Bronx. In 2021 living family members in conjunction with fans and supporters agreed to place Parker’s ashes in Woodlawn Cemetery and to install a headstone. The marker was inscribed with her name, her birth year, her death year, and an epigraph.¹

The four line verse on the monument was selected by Parker’s relatives and supporters. The words originally appeared as the final stanza of Parker’s poem “Epitaph for a Darling Lady” which was published in her 1926 collection “Enough Rope”. Boldface added to excerpts by QI:²

Epitaph for a Darling Lady

All her hours were yellow sands,
Blown in foolish whorls and tassels
Slipping warmly through her hands;
Patted into little castles.

Shiny day on shiny day
Tumble in a rainbow clutter,
As she flipped them all away.
Sent them spinning down the gutter.

Leave for her a red young rose.
Go your way, and save your pity;
She is happy, for she knows
That her dust is very pretty.

Below are additional selected citations in chronological order.