Quote Investigator® – Page 177

Quote Origin: You Don’t Owe Prettiness to Anyone

Diana Vreeland? Fran Lebowitz? Erin McKean? Anonymous?

Question for Quote Investigator: The following cogent statement about self-ownership, integrity, and image has been shared on social media networks:

You Don’t Have to Be Pretty.
You don’t owe prettiness to anyone.

I have seen an extended version of the remark attributed to the fashion columnist and editor Diana Vreeland in a Facebook post. However, I have also seen the words credited to the writer and humorist Fran Lebowitz on Pinterest. Would you please clarify this situation?

Reply from Quote Investigator: In October 2006 the lexicographer, entrepreneur, and fashion aficionado Erin McKean composed a post about the expectations and impositions encountered in the realm of personal appearance for her blog called “A Dress A Day”. She was responding to critical comments about the stylishness of leggings. Boldface has been added to excerpts:¹

Now, this may seem strange from someone who writes about pretty dresses (mostly) every day, but: You Don’t Have to Be Pretty. You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked “female”.

I’m not saying that you SHOULDN’T be pretty if you want to. (You don’t owe UN-prettiness to feminism, in other words.) Pretty is pleasant, and fun, and satisfying, and makes people smile, often even at you.

When contacted by QI, Erin McKean stated that she wrote the passage above. A picture of the fashion maven Diana Vreeland appeared at the top of the McKean’s post, and this has led to some confusion. However, none of the words in the post were written by Vreeland. The text by McKean has been disseminated through several networks, e.g., Blogger, Tumblr, Pinterest, and Facebook.

Here are additional selected citations in chronological order.

Quote Origin: The Secret to Creativity Is Knowing How to Hide Your Sources

Albert Einstein? C. E. M. Joad? Nolan Bushnell? Coco Chanel? Conan O’Brien? Franklin P. Jones? Charles Moore? Bruce Sterling? Joe Sedelmaier? Anonymous?

A wooden table with a white frame on it — **Illustration of a blank canvas from Pexels**

Question for Quote Investigator: I have a difficult challenge for you. Here are three versions of a popular maxim:

1) The secret to creativity is knowing how to hide your sources.
2) Creativity is knowing how to hide your sources.
3) The key to originality is hiding your sources.

These expressions are usually attributed to the famous scientist Albert Einstein. However, no one bothers to supply any supporting references. Somehow the true source has magically disappeared, it seems. Would you please help to uncover the accurate provenance?

Reply from Quote Investigator: There is no substantive evidence that Einstein ever made a remark of this type. It is not listed in the comprehensive collection â€œThe Ultimate Quotable Einsteinâ€ from Princeton University Press.¹

QI hypothesizes that this maxim evolved from a statement made in 1926 by a prominent English commentator and broadcaster named C. E. M. Joad. The initials abbreviated the full appellation Cyril Edwin Mitchinson Joad. Below is a dated series of phrases outlining the transformational process:

1926: the height of originality is skill in concealing origins
1933: originality is little more than skill in concealing origins
1938: originality was merely skill in concealing origins
1953: originality has been described as the art of concealing origins
1970: originality is the art of concealing your source
1985: creativity is the art of concealing your sources
1989: the secret to creativity is knowing how to hide your sources

In 1926 Joad published “The Babbitt Warren” in England, and the following year “The New Republic” magazine printed a review. Joad evaluated the United States harshly in his volume, and the reviewer reprinted a sampling of his critical remarks including a precursor of the adage under investigation. Boldface has been added to excerpts:²

Whereas in Europe the height of originality is genius, in America the height of originality is skill in concealing origins.

In no country is personality valued as it is in America, and in no country is it so rare.

Joad was pleased with this expression, and he developed multiple variants which he placed in his later writings. As the saying continued to evolve it was attributed to Franklin P. Jones, Albert Einstein, Coco Chanel and others. Detailed citations are given further below.

Here are additional selected citations in chronological order.

Quote Origin: Find What You Love, and Let It Kill You

Charles Bukowski? Kinky Friedman? Van Dyke Parks? Anonymous?

Question for Quote Investigator: The following grimly comical paean to romanticized self-destruction is often attributed to the poet, novelist, and imbiber Charles Bukowski:

Find what you love and let it kill you.

I have been unable to locate a poem or story written by Bukowski containing this line. Another candidate for authorship is the musician and mystery writer Kinky Friedman. Who do you think crafted this eccentric advice?

Reply from Quote Investigator: The earliest evidence located by QI appeared in the “Houston Chronicle” newspaper of Houston, Texas in 1986. The humorist, singer, and songwriter Kinky Friedman was profiled by the paper because he had branched out into a new field. Friedman had recently authored his first mystery novel, and while discussing his colorful career he employed the adage. Interestingly, the expression contained the word “like” instead of “love”. Boldface has been added to excerpts:¹

Friedman is a little proud of himself that he got past the self-destruct phase of booze and drugs without going any of the usual mystical routes.

“I did it on my own, without AA or Jesus; but, then, I think we all have to find the Jesus of our choosing. I’ve always said: Find what you like, and let it kill you.”

The saying with the word “love” has been credited to Charles Bukowski in recent years, but QI has located no substantive evidence to support this ascription.

Here are additional selected citations in chronological order.

Quote Origin: Our Greatest Glory Is Not in Never Falling, But in Rising Every Time We Fall

Confucius? Nelson Mandela? Vince Lombardi? Oliver Goldsmith? Ralph Waldo Emerson? Christian Nestell Bovee?

Question for Quote Investigator: The following adage about motivation and perseverance has been attributed to an oddly eclectic group: Chinese philosopher Confucius, football coach Vince Lombardi, activist politician Nelson Mandela, Irish author Oliver Goldsmith, and transcendentalist Ralph Waldo Emerson. Here are four versions. The fourth uses “failing” instead of “falling”:

1) The greatest glory in living lies not in never falling, but in rising every time we fall.

2) The greatest accomplishment is not in never falling, but in rising again after you fall.

3) Our greatest strength lies not in never having fallen, but in rising every time we fall.

4) Our greatest glory is not in never failing, but in rising up every time we fail.

I have no idea if any of these ascriptions is correct because I have not seen any documentation listing a source. Would you please help me with this frustrating situation?

Reply from Quote Investigator: In 1760 and 1761 a series of letters written by an imaginary Chinese traveler based in London named Lien Chi Altangi was published in “The Public Ledger” magazine of London. The actual author was an Irishman named Oliver Goldsmith who used the perspective of an outsider from China to comment on and satirize the life and manners of the city. Goldsmith later achieved fame with his novel “The Vicar of Wakefield” and his play “She Stoops to Conquer”.¹

The letters were collected and released in book form in 1762 under the title “The Citizen of the World: or, Letters from a Chinese Philosopher, Residing in London, to His Friends in the East “. The seventh letter from Lien Chi Altangi included an instance of the adage:²

Our greatest glory is, not in never falling, but in rising every time we fall.

A different phrasing of the maxim was included in the twenty-second letter:

True magnanimity consists not in NEVER falling, but in RISING every time we fall.

QI has located no substantive evidence that the ancient sage Confucius constructed this saying in either form, and QI believes that Goldsmith crafted it. However, the context of these simulated exotic letters led many readers to believe that the author was relaying aphorisms from China. Indeed, the introductory note for the seventh letter specifically referred to Confucius:

The Editor thinks proper to acquaint the reader, that the greatest part of the following letter seems to him to be little more than a rhapsody of sentences borrowed from Confucius, the Chinese philosopher.

By 1801 an edition of “The Miscellaneous Works of Oliver Goldsmith” included the letters that were originally ascribed to Lien Chi Altangi. Hence, the words were properly credited to Goldsmith.³

Yet, by 1831 the saying had been reassigned to Confucius. In later years, the phrasing evolved, and the adage was attributed to a variety of individuals including Ralph Waldo Emerson. In modern times, there is evidence that both Vince Lombardi and Nelson Mandela used the expression. Details for these citations are given further below.

Here are additional selected citations in chronological order.

Quote Origin: The Enemy of Art Is the Absence of Limitations

Orson Welles? Henry Jaglom? Mildred Pitts Walter? Dom Hofmann? Apocryphal?

Question for Quote Investigator: The brilliant movie director Orson Welles has been credited with a fascinating statement about the construction of artworks in the presence of constraints. When a performer or creator faces a limit such as a tight budget for a production then creative thought and innovative techniques are required. The final work may embody a heightened artistry. Here are two versions of the adage ascribed to Welles:

1) The enemy of art is the absence of limitations.
2) The absence of limitations is the enemy of art.

I have not been able to find a good citation for this popular remark. Would you please examine its provenance?

Reply from Quote Investigator: The most revealing citation located by QI was published in the 1992 edition of “The Movie Business Book” within a chapter written by the filmmaker Henry Jaglom. An instance of the saying was credited to Orson Welles by Jaglom. Boldface has been added to excerpts:¹

Orson Welles once said to me at lunch, “The enemy of art is the absence of limitations.” Economically and creatively that’s the most important advice you can be given. You have limitations; you don’t have $1-million to blow up that bridge, so you have to create something else on film to produce the same effect. Instead of having money to hire hundreds of extras, you have to sneak a cameraman in a wheelchair through the streets of New York City and steal the shot, which gives you a look of much greater reality.

The earliest evidence located by QI appeared a few years prior to 1992 in a magazine dated February 1988. Details are given further below. Yet, the above cite is crucial because QI conjectures that Jaglom was the person responsible for placing the adage into circulation. QI has not located any direct evidence of the statement in the writings of Welles or in an interview with Welles.

Here are additional selected citations in chronological order.

Quote Origin: I Would Spend 55 Minutes Defining the Problem and then Five Minutes Solving It

Albert Einstein? A Yale Professor? Apocryphal?

Question for Quote Investigator: The importance of laying the proper groundwork before attempting to solve a problem is emphasized in a popular statement that is usually attributed to the scientific luminary Albert Einstein. Here are three versions:

If I had only one hour to save the world, I would spend fifty-five minutes defining the problem, and only five minutes finding the solution.

If I had an hour to solve a problem I’d spend 55 minutes thinking about the problem and 5 minutes thinking about solutions.

Given one hour to save the planet, I would spend 59 minutes understanding the problem and one minute resolving it.

Because there are so many different variations I do not have much confidence that this was actually said by the acclaimed genius. Would you please explore this expression?

Reply from Quote Investigator: There is no substantive evidence that Einstein ever made a remark of this type. It is not listed in the comprehensive collection “The Ultimate Quotable Einstein” from Princeton University Press.¹

The earliest relevant evidence located by QI appeared in a 1966 collection of articles about manufacturing. An employee of the Stainless Processing Company named William H. Markle wrote a piece titled “The Manufacturing Manager’s Skills” which included a strong match for the saying under investigation. However, the words were credited to an unnamed professor at Yale University and not to Einstein. Also, the hour was split into 40 vs. 20 minutes instead of 55 vs. 5 minutes. Boldface has been added to excerpts:²

Some years ago the head of the Industrial Engineering Department of Yale University said, “If I had only one hour to solve a problem, I would spend up to two-thirds of that hour in attempting to define what the problem is.”

Albert Einstein died in 1955, and by 1973 a version of the saying had been assigned to him in an article in the journal “Invention Intelligence” based in New Delhi, India. Interestingly, the hour was split into three parts instead of two. No supporting data for the attribution was given:³

Often the problem as given is misleading, and you have to work through a mass of data to define the real problem. Often this step consumes more time than deriving the solution. Einstein said: “If I were given an hour in which to do a problem upon which my life depended, I would spend 40 minutes studying it, 15 minutes reviewing it and 5 minutes solving it.”

Here are additional selected citations in chronological order.

Quote Origin: Never Lose an Opportunity of Seeing Anything Beautiful. Beauty is God’s Handwriting

Ralph Waldo Emerson? John Ruskin? Charles Kingsley? Apocryphal?

Question for Quote Investigator: Extraordinary scenes of beauty can uplift one’s spirit. The following remark is often attributed to the philosopher and essayist Ralph Waldo Emerson:

Never lose an opportunity of seeing anything that is beautiful; for beauty is God’s handwriting.

I searched in a database of Emerson’s writings and was unable to locate this quotation. The words are sometimes credited to the influential art critic John Ruskin. Would you please examine the provenance of this expression?

Reply from Quote Investigator: In 1848 a new periodical called “Politics for the People” began to publish, and it included an article about the National Gallery in London. The authorship was cloaked by the pseudonym “Parson Lot”. Ultimately, the author was identified as Charles Kingsley, a member of the clergy who later became a Professor of Modern History at the University of Cambridge.

Kingsley believed that a gallery had the potential to brighten the lives of visitors by exposing them to lovely artworks:¹

Picture-galleries should be the workman’s paradise, and garden of pleasure, to which he goes to refresh his eyes and heart with beautiful shapes and sweet colouring, when they are wearied with dull bricks and mortar, and the ugly colourless things which fill the workshop and the factory.

Kingsley originated the quotation as a piece of advice to readers in this 1848 article. Boldface has been added to excerpts:

Those who live in towns should carefully remember this, for their own sakes, for their wives’ sakes, for their children’s sakes. Never lose an opportunity of seeing anything beautiful. Beauty is God’s hand-writing—a way-side sacrament; welcome it in every fair face, every fair sky, every fair flower, and thank for it Him, the fountain of all loveliness, and drink it in, simply and earnestly, with all your eyes; it is a charmed draught, a cup of blessing.

Over time this quotation has incorrectly been reassigned to other famous thinkers, e.g., Ralph Waldo Emerson and John Ruskin. These misattributions have been in circulation for more than one hundred years. Details are given further below.

Here are additional selected citations in chronological order.

Quote Origin: War Is God’s Way of Teaching Us Geography

Ambrose Bierce? Paul Rodriguez? Jon Stewart? Mark Twain? Anonymous?

Question for Quote Investigator: Many people are unable to find countries and major cities on a map. A comical remark about this cartographical ignorance has been attributed to both Ambrose Bierce and Mark Twain. Here are four versions:

War is God’s way of teaching us geography
War is God’s way of teaching Americans geography.
God created war so that Americans would learn geography
Wars are a rather expensive way to teach geography.

I searched in Bierce’s “The Devil’s Dictionary” and Twain’s novels and was unable to find the saying. No one seems to have concrete information about the source. Comic Jon Stewart is sometimes credited. Would you be willing to trace this statement?

Reply from Quote Investigator: QI and other researchers have located no substantive evidence that Ambrose Bierce or Mark Twain spoke or wrote this quip. The expression is part of a family of remarks and jokes that has been evolving since the 1800s.

In 1879 the periodical “Rose-Belford’s Canadian Monthly” printed a table listing numerous ports in Central and South America. The article claimed that readers would learn new geographical facts while following stories about warfare. The tone of this precursor observation was not humorous. Boldface has been added to excerpts:¹

The following list of ports of call between Panama and Valparaiso contains the name of every important point on the coast, and gives the relative positions of many places which, if the war continues, will become familiar, for whatever evil war brings in its train, it has value in teaching us geography.

Remarks of this type appeared in publications in Canada, France, the United Kingdom and the United States. By the 1920s instances with a clearly sardonic tone were in circulation. In 1987 the comedian Paul Rodriguez told a joke during a Comic Relief concert that closely matched the one given by the questioner. Detailed examples with cites are presented further below.

Top researchers Ralph Keyes² and Barry Popik³ have also examined this saying and some of their findings have been incorporated in this article.

Here are additional selected citations in chronological order.

Quote Origin: Speak When You’re Angry and You’ll Make the Best Speech You’ll Ever Regret

Ambrose Bierce? Henry Ward Beecher? Laurence J. Peter? Groucho Marx? Harry H. Jones? Anonymous?

Question for Quote Investigator: The rant of an enraged person often contains statements that necessitate contrite apologies later. Here is an adage reflecting this insight:

Speak when you are angry and you will make the best speech you will ever regret.

These words have been attributed to the preacher Henry Ward Beecher, the humorist Ambrose Bierce, and the quotation compiler Laurence J. Peter. Do you know who should receive credit?

Reply from Quote Investigator: The earliest evidence located by QI points to a famous comedian who is rarely mentioned in conjunction with this saying. In June 1954 a column titled “Inside TV” by Eve Starr was published in a North Carolina newspaper, and Starr reported on two jokes told by Groucho Marx during his show. Boldface has been added:¹

Groucho quips: “It takes a heap of spending to make a house a home.” His best advice to contestants is: “If you speak when angry, you’ll make the best speech you’ll ever regret.”

Ambrose Bierce did write a parody fable that was tangentially related to this theme, and a detailed citation for this short tale is given below. However, QI has found no substantive evidence that Bierce wrote or spoke this quotation. Oddly, a major reference work stated that the expression appeared in Bierce’s “The Cynic’s Word Book” of 1906 which is better known under its later title “The Devil’s Dictionary”. However, QI has examined multiple editions of this book and the quotation was absent.

The misattribution to Henry Ward Beecher was based on an incorrect reading of an entry in a 1977 quotation collection created by Laurence J. Peter. Details are given further below.

Here are additional selected citations in chronological order.

Quote Origin: There Is No Expedient to which a Man Will Not Resort to Avoid the Real Labor of Thinking

Thomas Edison? Joshua Reynolds? Irving Babbitt? Apocryphal?

Question for Quote Investigator: A piquant statement about mental laziness is attributed to the inventor and research laboratory pioneer Thomas A. Edison. Here are two versions:

There is no expedient to which a man will not go to avoid the labor of thinking.

There is no expedient to which a man will not resort to avoid the real labor of thinking.

This expression is also attributed to the prominent English painter Joshua Reynolds. Would you please examine this topic?

Reply from Quote Investigator: In the eighteenth century Joshua Reynolds was the most successful portrait painter in England, and he was selected to be the first president of the Royal Academy of Arts in London. Between 1769 and 1790 Reynolds delivered an influential series of Discourses about art.¹ The Twelfth Discourse contained a prolix statement with a meaning that largely matched the adage under investigation.

Through a multistep process the expression of Reynolds was greatly simplified and condensed to yield a much pithier statement. This new phrase was reassigned directly to Reynolds by 1914. Thomas Edison saw a concise instance and was impressed enough to choose it as an admonitory didactic motto for his organization. By 1921 Edison had decided to have placards placed on the walls of his plant in Orange, New Jersey displaying the saying together with an ascription to Sir Joshua Reynolds. Later writers elided the name of Reynolds and attributed the words to Edison.

Here are selected citations in chronological order.