You Have To Have a Dream So You Can Get Up in the Morning

Charlotte Chandler? Billy Wilder? Lyn Erhard? Stanley Kramer? Pablo Picasso?

Dear Quote Investigator: Your alarm clock sounds, and you wake up groggily. You press the snooze button to get ten more minutes of sleep. The alarm buzzes again, and you press the button again. How can you prevent this unhappy cycle?

Instead of returning to a chaotic dream while half asleep you should be pursuing an inspirational dream while awake. That was the message of a prominent movie director. His vision enabled him to rise with enthusiasm in the morning and achieve enormous success in Hollywood. Would you please help me to find a citation?

Quote Investigator: Charlotte Chandler is the pen name of Lyn Erhard. She is best known as the author of nine biographies. Early in her book writing career she published “The Ultimate Seduction” which was based on interviews she had conducted with famous people in the world of arts and entertainment such as director Billy Wilder and artist Pablo Picasso. The title of the 1984 book came from a comment she gathered from Picasso. Boldface added to excerpts by QI:[1] 1984, The Ultimate Seduction by Charlotte Chandler, Part 1: The Drive To Get There, Quote Page 3, Doubleday & Company, Garden City, New York. (Verified with scans)

“Always, you put more of yourself into your work, until one day, you never know exactly which day, it happens—you are your work. The passions that motivate you may change, but it is your work in life that is the ultimate seduction.”

A passage in “The Ultimate Seduction” about the importance of dreams began with a comment from Chandler followed by a cogent remark from Picasso:[2] 1984, The Ultimate Seduction by Charlotte Chandler, Part 2: Getting There, Quote Page 108, Doubleday & Company, Garden City, New York. (Verified with scans)

The dream can be dreamed without any clear view of how to achieve it. Picasso said the most important step was the first one, “That you have the dream.”

The passage continued with a comment from Billy Wilder who directed influential and award-winning films such as “Double Indemnity”, “Some Like It Hot”, and “The Apartment”:

“You have to have a dream so you can get up in the morning,” Billy Wilder told me. “But that dream can’t stay the same all your life. If I’d been a boy in America, I would have dreamed of being a bat boy. But of course that dream couldn’t have sustained me all my life.”

Below are additional selected citations in chronological order.

Continue reading “You Have To Have a Dream So You Can Get Up in the Morning”

References

References
↑1 1984, The Ultimate Seduction by Charlotte Chandler, Part 1: The Drive To Get There, Quote Page 3, Doubleday & Company, Garden City, New York. (Verified with scans)
↑2 1984, The Ultimate Seduction by Charlotte Chandler, Part 2: Getting There, Quote Page 108, Doubleday & Company, Garden City, New York. (Verified with scans)

Two Necessities In Doing a Great and Important Work: A Definite Plan and Limited Time

Elbert Hubbard? H.C. Peters? Leonard Bernstein?

Dear Quote Investigator: Dreaming about accomplishing a vaguely defined magnificent task at some unknown future date is unhelpful. True progress is made by formulating a plan and adopting a clear deadline. This notion has been attributed to U.S. publisher Elbert Hubbard and U.S. composer Leonard Bernstein. Would you please explore this topic.

Quote Investigator: Aphorist Elbert Hubbard edited and published a journal called “The Fra” for an artisan community in East Aurora, New York. The September 1911 issue featured the following epigraph. Boldface added to excerpts by QI:[1] 1911 September, The Fra, Volume 7, Number 6, (Epigraph on title page), Quote Page 161, Elbert Hubbard and The Roycrofters, East Aurora, New York. (Google Books Full View) link

TWO NECESSITIES IN DOING A GREAT AND IMPORTANT WORK: A DEFINITE PLAN AND LIMITED TIME

The journal issue included a short article by H.C. Peters that elaborated on this adage:[2]1911 September, The Fra, Volume 7, Number 6, (Untitled Article) by H. C. Peters, Start Page xxxvi (36), Quote Page xxxvi (36), Elbert Hubbard and The Roycrofters, East Aurora, New York. (Google Books … Continue reading

If I were trying to condense in a few words the best plan for efficient action, I would say: Have a definite thing to do and a limited time to do it. About fifty per cent of the people engaged in business never reach the point where they set their minds on doing some one definite thing . . .

It is left for the men who decide on a definite thing to do within a limited time, to keep the wheels of progress moving.

Apparently, H.C. Peters developed the core idea, and Elbert Hubbard crafted and popularized a concise statement. Alternatively, Hubbard constructed the adage, and he next asked Peters to write on the subject.

The saying evolved over time, and it was reassigned to Leonard Bernstein by 2002. Yet, Bernstein died in 1990; hence, the current evidence supporting this attribution is rather weak.

Below are additional selected citations in chronological order.

Continue reading “Two Necessities In Doing a Great and Important Work: A Definite Plan and Limited Time”

References

References
↑1 1911 September, The Fra, Volume 7, Number 6, (Epigraph on title page), Quote Page 161, Elbert Hubbard and The Roycrofters, East Aurora, New York. (Google Books Full View) link
↑2 1911 September, The Fra, Volume 7, Number 6, (Untitled Article) by H. C. Peters, Start Page xxxvi (36), Quote Page xxxvi (36), Elbert Hubbard and The Roycrofters, East Aurora, New York. (Google Books Full View) link

When You Are Young, You Have the Face Your Parents Gave You. After You Are Forty, You Have the Face You Deserve

George Orwell? Coco Chanel? Mae West? Ingrid Bergman? Albert Camus? Abraham Lincoln? Edwin M. Stanton? Lucius E. Chittenden? Albert Schweitzer? Maurice Chevalier? William H. Seward? Edward Lee Hawk? William Shakspeare? Anonymous?

Dear Quote Investigator: A person’s true character can be deduced by the careful study of the face according to believers in physiognomy. This notion dates back to the ancient Greeks, but nowadays it is often considered pseudoscientific. Believers contend that the human visage changes over time, and authentic character eventually emerges. Here are three pertinent remarks:

  • At forty you have the face you deserve.
  • A man of 50 years is responsible for his looks
  • After thirty you have the face you have made yourself.

This family of statements includes elaborate multipart assertions. Here are two examples:

  • At 20 you have the face God gave you, at 40 you have the face that life has molded, and at 60 you have the face you deserve.
  • Nature gives you the face you have at twenty. Life shapes the face you have at thirty. But at fifty you get the face you deserve.

Remarks of this type have been credited to U.S. statesman Abraham Lincoln, fashion maven Coco Chanel, political writer George Orwell, French existentialist Albert Camus, movie star Ingrid Bergman, and others. Would you please explore this topic?

Quote Investigator: The earliest evidence located by QI appeared in “Recollections of President Lincoln and His Administration” by Lucius E. Chittenden who served as U.S. Register of the Treasury during Lincoln’s presidency. Chittenden told an anecdote about Edwin M. Stanton who served as Secretary of War for Lincoln. Stanton would sometimes judge a person harshly based on facial features. In the following dialog Stanton was conversing with an unnamed military officer about an underling in the War Department. Boldface added to excerpts by QI:[1]1891 Copyright, Recollections of President Lincoln and His Administration by L. E. Chittenden; Lincoln’s Register of The Treasury (Lucius Eugene Chittenden), Chapter 24, Quote Page 184, Harper … Continue reading

“Did you ever in all your life see the head of a human being which so closely resembled that of a cod fish?”

“He is not responsible for his head or his face. But why do you say he is a fraud? The newspapers call him a reformer, and give him credit for great efficiency.”

“I deny your conclusions,” he replied. “A man of fifty is responsible for his face! Yes, I know he is courting the newspapers: that proves him a humbug and presumptively a fraud.”

A few months later the official in question was found guilty by a court-martial of peculation and fraud in the management of his bureau and dishonorably expelled from the service.

Chittenden’s book of recollections was published in 1891. However, the episode above reportedly occurred many years earlier during Lincoln’s presidency which ended with his death in 1865. The accuracy of the quotation attributed to Stanton was dependent on the veracity of Chittenden who may have heard the tale second-hand.

This family of sayings has remained popular for many decades. Coco Chanel employed a multipart version in 1938. George Orwell penned an instance in one of his notebooks in 1949. Albert Camus published a version in 1956. Ingrid Bergman referred to the saying in 1957. Details are given further below.

Here are additional selected citations in chronological order.

Continue reading “When You Are Young, You Have the Face Your Parents Gave You. After You Are Forty, You Have the Face You Deserve”

References

References
↑1 1891 Copyright, Recollections of President Lincoln and His Administration by L. E. Chittenden; Lincoln’s Register of The Treasury (Lucius Eugene Chittenden), Chapter 24, Quote Page 184, Harper & Brothers, New York. (HathiTrust Full View) link

What Are You Doing Here? Why the Devil Aren’t You Home Writing?

Sinclair Lewis? Bennett Cerf? Storm Jameson? Leon Uris? Abraham Cady? Truman Capote? James Michener? Anonymous?

Dear Quote Investigator: Classes which attempt to teach writing have proliferated in recent decades. Yet, an undercurrent of skepticism regarding the value of this pedagogical endeavor persists.

According to a sardonic anecdote a successful author was once badgered into conducting a guest lecture at a prestigious university. The classroom was packed, and the author was given a lengthy and glowing introduction by the beaming professor who coordinated the class.

The author began by asking the audience members whether they genuinely wanted to become writers. Every student in the room raised a hand signaling enthusiastic commitment. The intensity of emotion caused the writer to step back, pause, and lay down a set of notes. “In that case,” the exasperated speaker said, “why are you wasting your time here? Go home and write!” The author then walked away from the podium.

Would you please explore the provenance of this tale? Who was the author, and what was the name of the university?

Quote Investigator: The earliest match located by QI appeared in “The Daily Oklahoman” of Oklahoma City in July 1945. Boldface added to excerpts by QI:[1] 1945 July 1, The Daily Oklahoman, If You Want to Try And Write, Go Ahead, Quote Page 11C, Column 8, Oklahoma City, Oklahoma. (Newspapers_com)

Shortly before Sinclair Lewis went home to his native Minnesota where he believes he can do his best work, he addressed a class of would-be novelists at the Columbia School of Journalism. He began with “I understand you all want to be writers. Well, what are you doing here? Why the devil aren’t you home writing?”

U.S. novelist and playwright Sinclair Lewis received the Nobel Prize in Literature for 1930. He is the leading candidate for deliverer of this truncated lecture although QI has not yet found any evidence that Lewis told the anecdote himself.

This tale appeared in a variety of newspapers during the ensuing months and years. In August 1945 “The Evening Republican” of Columbus, Indiana pointed to publisher Bennett Cerf as a crucial popularizer of the story:[2] 1945 August 1, The Evening Republican, No News Is Good News, Quote Page 4, Column 2, Columbus, Indiana. (Newspapers_com)

Shortly before Sinclair Lewis left for his native Minnesota, he addressed a class of would-be novelists at the Columbia School of Journalism, reports Bennett Cerf of Random House___Lewis glanced over the eager assemblage with an appraising eye____and began his address, “I understand you all want to be writers___Well, what are you doing here?___Why the devil aren’t you home writing?”

Below are additional selected citations in chronological order.

Continue reading “What Are You Doing Here? Why the Devil Aren’t You Home Writing?”

References

References
↑1 1945 July 1, The Daily Oklahoman, If You Want to Try And Write, Go Ahead, Quote Page 11C, Column 8, Oklahoma City, Oklahoma. (Newspapers_com)
↑2 1945 August 1, The Evening Republican, No News Is Good News, Quote Page 4, Column 2, Columbus, Indiana. (Newspapers_com)

This Is the Only Place Where I Can Avoid Seeing the Damned Thing

Speaker: William Morris? Guy de Maupassant? Alexander Hadden? Elliot Paul? Gillian Widdicombe? Adlai Stevenson? Anonymous?

Landmark: Eiffel Tower? National Theatre in London? Palace of Culture in Warsaw? Empire State Building?

Dear Quote Investigator: Cultural critics have lamented that some massive structures dominating city skylines are unsightly, e.g., the Eiffel Tower, the National Theatre in London, and the Palace of Culture in Warsaw.

A popular anecdote states that a well-known literary figure frequently visited one of these ugly monuments. An acquaintance who found the luminary gazing out across the metropolis from the observation deck of the landmark inquired about motivation:

“As a regular visitor to this site, do you find this structure beautiful?”
“Of course not! This is the only place in the city where I can look out and avoid seeing this hideous thing.”

Would you please explore this acerbic tale?

Quote Investigator: The earliest match located by QI appeared in a 1914 report from the Manchester Literary Club of England. The brief note described a meeting of the club during which a member named Alexander Hadden presented a paper about the city of Paris. The following passage about prominent writer and activist William Morris included a punchline that was spoiled by a typo. The word “can” was supposed to be “can’t”. Boldface added to excerpts by QI:[1]1914, Report and Proceedings of the Manchester Literary Club for the Session 1913-14 with Rules and List of Members, Article Date: January 12, 1914, Comment on article titled: Paris by Alex. Hadden, … Continue reading

Incidentally it was mentioned that William Morris was a frequent visitor to Paris, and when there his friends noticed that he spent a considerable part of his time high upon the Eiffel Tower. When asked the reason for this he replied, “That is the only place where you can see the damned thing.”

Morris died in 1896, so the citation above provides imperfect evidence. Nevertheless, Morris is the leading candidate for crafter of this quip. This anecdote has been difficult to trace because of its multiplicity of embodiments.

Below are additional selected citations in chronological order.

Continue reading “This Is the Only Place Where I Can Avoid Seeing the Damned Thing”

References

References
↑1 1914, Report and Proceedings of the Manchester Literary Club for the Session 1913-14 with Rules and List of Members, Article Date: January 12, 1914, Comment on article titled: Paris by Alex. Hadden, Quote Page 434, Sherratt and Hughes, Manchester, England. (HathiTrust) link

No Explanation Is Needed for a Believer; No Explanation Suffices for an Unbeliever

Franz Werfel? John LaFarge? George Seaton? Irving Wallace? Charles Brent? James G. Stahlman? Dwain Hobbs? Anonymous?

Dear Quote Investigator: Events deemed miraculous have always been controversial. Believers readily accept a supernatural explanation, but skeptics are unwilling to endorse this viewpoint. Religious pilgrimage sites such as the Sanctuary of Our Lady of Lourdes in France boast many seemingly miraculous cures, but detractors resist unconventional explications. A two part statement depicts these clashing perspectives. Here are four versions:

No explanation is needed for a believer;
no explanation suffices for an unbeliever.

To a non-believer, no explanation is possible.
For a believer, no explanation is necessary.

To those who believe no explanation is necessary;
to those who do not believe no explanation will satisfy.

For those who believe in God no explanation is necessary.
For those who do not believe in God no explanation is possible.

A message of this type appears at the beginning of the popular award-winning 1943 film “The Song of Bernadette”. Would you please explore this topic?

Quote Investigator: The earliest match located by QI appeared in the “St. Louis Post-Dispatch” of Missouri in December 1882. This concise instance occurred within an editorial discussing the credibility of the biblical tale of the prophet Jonah who was engulfed by a giant aquatic creature and survived. Boldface added to excerpts by QI:[1] 1882 December 22, St. Louis Post-Dispatch, Jonah and the Whale, Quote Page 4, Column 2, St. Louis, Missouri. (Newspapers_com)

The story of Jonah and the Whale is of course one of the first biblical difficulties which skeptics and unbelievers take hold of, and the temptation to gain this easy vantage-ground has been strengthened by the attempt on the part of Bishop Ryan to reconcile the miracle with natural law and by the assumption that the great sea monster which swallowed the prophet was a special creation or an animal otherwise unknown to science.

There is no necessity of resorting to such explanations. No single miracle can be explained, and there is no use in trying. No explanation is needed for a believer; no explanation suffices for an unbeliever. There are people who honestly refuse to believe in any miracle, either of Christ or of the prophets before Him or of the saints since His day.

No author was specified for the passage above; hence, it should be considered anonymous. Attempting to trace this saying has been very difficult because it can be expressed in many ways.

Below are additional selected citations in chronological order.

Continue reading “No Explanation Is Needed for a Believer; No Explanation Suffices for an Unbeliever”

References

References
↑1 1882 December 22, St. Louis Post-Dispatch, Jonah and the Whale, Quote Page 4, Column 2, St. Louis, Missouri. (Newspapers_com)

I Often Quote Myself. It Adds Spice To My Conversation

George Bernard Shaw? Brendan Behan? Reba Lombard? Arthur Caesar? George Jean Nathan? Erskine Johnson? Apocryphal?

Dear Quote Investigator: A remarkably large number of utterances from the prominent Irish playwright George Bernard Shaw appear in quotation collections. Apparently, he once humorously commented on his quoteworthiness. Here are three versions:

  • I often quote myself. It adds spice to my conversation.
  • I like to quote from myself; it adds spice to the conversation
  • I always quote myself. It adds spice to the conversation.

Did Shaw really make one of these remarks? Would you please explore this topic?

Quote Investigator: The earliest match known to QI appeared in the June 1943 issue of “Reader’s Digest” magazine within a section called “Patter” which printed miscellaneous quotations. Boldface added to excerpts by QI:[1] 1943 June, Reader’s Digest, Volume 42, Patter, Quote Page 18, Column 2, The Reader’s Digest Association, Pleasantville, New York. (Verified with hardcopy)

Bernard Shaw once remarked: “I often quote myself. It adds spice to my conversation.”

QI has not found this quotation in the writings or interviews of Shaw. The items in “Patter” were contributed by readers who received compensation, and some items were of doubtful accuracy. Shaw died in 1950; hence, this quotation was circulating for several years while he was alive which increases its credibility. Nevertheless, QI does not know whether this quotation is authentic.

Below are additional selected citations in chronological order.

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References

References
↑1 1943 June, Reader’s Digest, Volume 42, Patter, Quote Page 18, Column 2, The Reader’s Digest Association, Pleasantville, New York. (Verified with hardcopy)

Some of the Biggest Failures I Ever Had Were Successes

Pearl Bailey? Apocryphal?

Dear Quote Investigator: Everyone experiences failures in life. Yet, each setback can be transformed into an energizing event and an episode of learning. Even the largest failures can be changed into successes. The prominent U.S. actress and singer Pearl Bailey said something like this. Would you please help me to find a citation?

Quote Investigator: In 1971 Pearl Bailey published the memoir “Talking To Myself” which included the following passage:[1] 1973 (1971 Copyright), Talking To Myself by Pearl Bailey, Chapter: The measure of its contents, Quote Page 176, Pocket Books: A Division of Simon & Schuster, New York. (Verified with scans)

Some of the biggest failures I ever had were successes. A man has to try in order to grow, and try again. The point is that it’s the trying that does it, and not necessarily achieving what he is attempting to do.

For every failure, one grows a bit. Failure inspires some people to go on, at least that’s the way it affects the greats of show business as I’ve observed them.

This remark combines two contradictory words: “failures” and “successes”. The resulting figure of speech is called an oxymoron, and it seems inconsistent from a narrow overly literal viewpoint; however, a wider perspective reveals its insightfulness.

Below are additional selected citations in chronological order.

Continue reading “Some of the Biggest Failures I Ever Had Were Successes”

References

References
↑1 1973 (1971 Copyright), Talking To Myself by Pearl Bailey, Chapter: The measure of its contents, Quote Page 176, Pocket Books: A Division of Simon & Schuster, New York. (Verified with scans)

Quote Origin: Every King Springs From a Race of Slaves, and Every Slave Has Had Kings Among His Ancestors

Helen Keller? Socrates? Plato? Seneca the Younger? Anonymous?

Question for Quote Investigator: A person has two genetic parents, four grandparents, and eight great-grandparents. The number of ancestors in a generation roughly doubles when going backwards in time, and this exponential growth implies that each individual has an enormous number of ancestors. This line of reasoning suggests two remarkable insights about human lineages and fluctuating social power:

  • Every king has ancestors who were slaves.
  • Every slave has ancestors who were kings.

This dual notion has been credited to three famous ancient sages: Socrates, Plato, and Seneca the Younger. It has also been attributed to the deaf-blind social activist Helen Keller. Would you please explore this topic?

Reply from Quote Investigator: Plato presented a dialogue between Socrates and Theaetetus on the nature of knowledge. Socrates discussed the pride some feel about having an illustrious ancestry, and he indicated that a person with a philosophical temperament would be skeptical about this undeserved self-approval. The following excerpt is from a translation by Harold N. Fowler. Boldface added to excerpts by QI:1

And when people sing the praises of lineage and say someone is of noble birth, because he can show seven wealthy ancestors, he thinks that such praises betray an altogether dull and narrow vision on the part of those who utter them; because of lack of education they cannot keep their eyes fixed upon the whole and are unable to calculate that every man has had countless thousands of ancestors and progenitors, among whom have been in any instance rich and poor, kings and slaves, barbarians and Greeks.

The phrasing above differed from the two target quotations. Yet, this passage from Plato’s instantiation of Socrates did logically imply that each king had some slave as an ancestor, and each slave had some king as an ancestor.

Below are additional selected citations in chronological order.

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A Notable Family Named Stein With Gertrude, Ep, and Ein

A. H. Reginald Buller? Resident of Brighton? E. V. Lucas? Carolyn Wells? Walter Winchell? Robert Conquest? Anonymous?

Dear Quote Investigator: There is a comical limerick about a “family” named Stein. The three referents were prominent writer Gertrude Stein, influential sculpture Jacob Epstein, and famous scientist Albert Einstein. Wordplay was used to split “Stein” from “Gertrude”, “Ep”, and “Ein”. Would you please explore the provenance of this poem?

Quote Investigator: The earliest match for the limerick located by QI appeared in March 1931, and that citation is given further below.

An interesting precursor occurred in the London humor magazine “Punch” in September 1929. The poem was titled “Precious Steins”, and it employed the same splitting wordplay. These were the first three verses:[1] 1929 September 11, Punch, Or The London Charivari, Volume 177, Precious Steins, Quote Page 282, Column 3, Published at the Office of Punch, London. (Verified with scans)

What with Gertrude, Ep and Ein,
When I hear the name of Stein,
I go creepy down the spine.

Ein has caught the ether bending,
Gert has sentences unending,
Ep is really most art-rending.

Ein’s made straight lines parabolic,
Eppie’s “Night” is alcoholic,
Gertie’s grammar has the colic.

The final fifth verse suggested that life and art were out of step, and the poem’s creator was down-hearted. No attribution was specified for the poem. Thus, it was either written by a staff member of “Punch”, or it was sent to the magazine by a reader who was compensated.

Below are additional selected citations in chronological order.

Continue reading “A Notable Family Named Stein With Gertrude, Ep, and Ein”

References

References
↑1 1929 September 11, Punch, Or The London Charivari, Volume 177, Precious Steins, Quote Page 282, Column 3, Published at the Office of Punch, London. (Verified with scans)