Quote Investigator® – Page 151

Quote Origin: A Human Is a Non-Linear Servo-Mechanism Weighing Only 150 Pounds that Can Be Produced Cheaply by Unskilled Labor

Arthur C. Clarke? Albert Scott Crossfield? George T. Hauty? S. Fred Singer?

Question for Quote Investigator: In the early days of the space-age researchers and administrators were considering replacing human pilots and astronauts with computers. The argument against this form of automation was presented with a single humorous sentence that emphasized the advantages of humans. Are you familiar with this quotation? Would you please examine this topic?

Reply from Quote Investigator: In May 1954 “The New York Times” published an article titled “Test Pilot Faces Robot Challenge” which reported on suggestions made by scientists within the NATO (North Atlantic Treaty Organization) alliance that test pilots should be replaced by machines. A set of pilots spoke in opposition to this proposal during a meeting of a NATO advisory group.

Albert Scott Crossfield was a prominent American test pilot who had achieved speed records while flying experimental aircraft. He delivered a compact comical summary of human uniqueness in the form of an interrogative.¹ Boldface has been added to excerpts:²

“Where can you find another non-linear servo-mechanism weighing only 150 pounds and having great adaptability, that can be produced so cheaply by completely unskilled labor?” Mr. Crossfield” inquired.

The passage above was the earliest instance located by QI. Interestingly, it did not contain the word “computer”. Also, the words were spoken as a rebuttal to the idea of replacing aircraft pilots and not astronauts. Many variant expressions have evolved over time. QI believes that earlier instances may exist.

Here are additional selected citations in chronological order.

The Architect’s Most Effective Tools Are the Eraser in the Drafting Room and the Wrecking Bar on the Job

Frank Lloyd Wright? Edgar Tafel? Apocryphal?

Dear Quote Investigator: Recently, I was reading a book about software design, and the author emphasized the importance of detecting and fixing errors quickly. The following quotation was presented:

You can use an eraser on the drafting table or a sledgehammer on the construction site.

The statement was attributed to the innovative major architect Frank Lloyd Wright, but I have been unable to locate a proper citation. Would you please help?

Quote Investigator: QI believes that the expression above was probably not spoken or written by Frank Lloyd Wright. But he did make a remark that displayed several points of similarity; hence, the statement above probably evolved from an accurate quotation.

The earliest pertinent instance located by QI was published in the 1965 biographical work “Frank Lloyd Wright: America’s Greatest Architect” by Herbert Jacobs. The author was in frequent contact with Wright for twenty-five years as client, friend, and reporter. Indeed, Wright designed and built two houses for the author. Part of the book described the relationship between Wright and his apprentices. Boldface has been added to excerpts:^[1] 1965, Frank Lloyd Wright: America’s Greatest Architect by Herbert Jacobs, Chapter 12: Taliesin Accents Youth, Quote Page 139, Harcourt, Brace & World, New York. (Verified on paper)

If Wright was passing by a drafting board, he might stop to note progress. The apprentice would leap to his feet and stand respectfully at the side while Wright eased himself onto the bench and took up pencil-and eraser.

“The architect’s two most important tools are: the eraser in the drafting room and the wrecking bar on the site,” he would say with a smile.

Wright died in 1959; thus, the text above was published posthumously. Nevertheless, QI believes the ascription was highly credible because of the author’s long relationship with Wright. The tool specified was a wrecking bar instead of a sledgehammer. Also, there was no implicit conditional ordering between the eraser and wrecking bar; both were deemed important.

Here are additional selected citations in chronological order.

Continue reading “The Architect’s Most Effective Tools Are the Eraser in the Drafting Room and the Wrecking Bar on the Job”

References

References
↑1	1965, Frank Lloyd Wright: America’s Greatest Architect by Herbert Jacobs, Chapter 12: Taliesin Accents Youth, Quote Page 139, Harcourt, Brace & World, New York. (Verified on paper)

It’s True I’m Here, and I’m Just as Strange as You

Frida Kahlo? Rebecca Katherine Martin? Apocryphal? Anonymous?

Dear Quote Investigator: There is a fascinating quotation about self-consciousness and the desire to establish a connection with an alter ego or doppelganger. Here is the beginning:

I used to think I was the strangest person in the world, but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do.

These words have been attributed to the famous Mexican painter Frida Kahlo, but I have not been able to find a good citation. Would you please explore this topic?

Quote Investigator: Frida Kahlo died in 1954, and QI has not yet found any substantive evidence that she wrote or said this quotation in Spanish or English.

The earliest appearance of this quotation known to QI occurred on the “PostSecret” website in March 2008. The quotation was printed on a postcard which had been mailed to a post-office box maintained by Frank Warren, the founder of “PostSecret”. Warren has described his website as a community art project. He has encouraged individuals to write personal secrets on homemade postcards and anonymously mail them to him; a subset are selected and displayed on the website.

Below is the postcard that was displayed next to the date March 16, 2008. The quotation was anonymous; specifically, it was not ascribed to Frida Kahlo; however, the background image showed part of a portrait of the prominent artist. QI conjectures that this image induced the misattribution to Kahlo:

I used to think I was the strangest person in the world
but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do
I would imagine her, and imagine that she must be out there thinking of me too.
well, I hope that if you are out there you read this and know that yes, it’s true I’m here,
and I’m just as strange as you.

The protean electronic nature of websites often makes it difficult to verify the dates of text and images from past years. In this case, fortunately, a snapshot of the “PostSecret” website was taken on March 18, 2008 and stored in the “Internet Archive: Way Back Machine” database.^[1]Internet Archive: Way Back Machine, Web snapshot date: March 18, 2008, Date on Webpage: March 16, 2008, Archive download URL: postsecret.blogspot.com, Title: Sunday Secrets. (Accessed at … Continue reading

Because the quotation appeared initially without an ascription it has been difficult to ascertain its provenance with much certainty. Nevertheless, QI believes that the top candidate for authorship is Becky Martin (Rebecca Katherine Martin).

Here are additional selected citations in chronological order.

Continue reading “It’s True I’m Here, and I’m Just as Strange as You”

References

References
↑1	Internet Archive: Way Back Machine, Web snapshot date: March 18, 2008, Date on Webpage: March 16, 2008, Archive download URL: postsecret.blogspot.com, Title: Sunday Secrets. (Accessed at web.archive.org on January 28, 2016) link

Anecdote Origin: The Dictionary Feud: Faulkner versus Hemingway

William Faulkner? Ernest Hemingway? Apocryphal?

**Two Pages Showing Entries of a Thesaurus**

Question for Quote Investigator: Two major writers of the twentieth century disagreed sharply about the type of vocabulary that was advantageous in literary works. According to a literary legend Faulkner attacked Hemingway by saying he had “no courage”. Hemingway’s tightly circumscribed word choice was pedestrian. Hemingway punched back by stating that he did not need “ten-dollar words”. He also said that Faulkner’s writing had deteriorated because of his dependence on alcohol. Would you please examine this altercation to determine precisely what was said?

Reply from Quote Investigator: In April 1947 William Faulkner visited the University of Mississippi by invitation. He answered questions posed by students in a Creative Writing class, and his remarks were transcribed. After a multi-year delay the text was published in the Summer 1951 issue of the quarterly “The Western Review”.¹ When asked to evaluate his own position in the literary pantheon Faulkner made a critical comment about Hemingway. Boldface has been added to excerpts:²

Q. If you don’t think it too personal, how do you rank yourself with contemporary writers?

A. 1. Thomas Wolfe: he had much courage and wrote as if he didn’t have long to live; 2. William Faulkner; 3. Dos Passos; 4. Ernest Hemingway: he has no courage, has never crawled out on a limb. He has never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used; 5. John Steinbeck: at one time I had great hopes for him — now I don’t know.

. . .
Q. Mr. Faulkner, do you mind our repeating anything we have heard today outside of class?

A. No. It was true yesterday, is true today, and will be true tomorrow.

Here are additional selected citations in chronological order.

An Apology Is the Superglue of Life. It Can Repair Just About Anything

Lynn Johnston? Apocryphal?

Dear Quote Investigator: The Canadian cartoonist Lynn Johnston has crafted a wonderful metaphor equating the reparative quality of apologies to superglue. Her statement is very popular on the web, but no one seems to know the precise phrasing; also, I have never seen a solid citation. Would you please trace this quotation?

Quote Investigator: The widely-syndicated long-running comic strip “For Better or For Worse” was created, written, and drawn by Lynn Johnston. The strip published on May 31, 1994 depicted the character Sharon Edwards, a teacher, conversing with the character Elizabeth Patterson, a student. Patterson’s relationship with a friend had deteriorated because she had been preoccupied with a boyfriend. Edwards suggested that the friendship might be mended with an apology:^[1] 1994 May 31, The Ukiah Daily Journal, Syndicated Comic Strip: For Better Or For Worse by Lynn Johnston, Quote Page 12, Ukiah, California. (Newspapers_com)

There’s nothing like an apology, Liz. — An apology is the superglue of life!
It can repair just about anything!!

Here are additional selected citations in chronological order.

Continue reading “An Apology Is the Superglue of Life. It Can Repair Just About Anything”

References

References
↑1	1994 May 31, The Ukiah Daily Journal, Syndicated Comic Strip: For Better Or For Worse by Lynn Johnston, Quote Page 12, Ukiah, California. (Newspapers_com)

They’ve Absolutely Ruined Your Perfectly Dreadful Play

Tallulah Bankhead? Apocryphal?

Dear Quote Investigator: The funniest one-line review of a movie I have ever encountered is the following:

Darling, they’ve absolutely ruined your perfectly dreadful play.

According to a show-business legend, the movie star Tallulah Bankhead delivered this mortifying judgement to the famous playwright Tennessee Williams when she saw the film version of his play “Orpheus Descending”. Would you please explore this tale?

Quote Investigator: In 1940 Tennessee Williams wrote a play titled “Battle of Angels”; however, at that time he was unable to successfully mount a full production. He rewrote and retitled the work “Orpheus Descending”, and in 1957 it was presented on Broadway, but the reception was muted. The construction of the play had been inspired by the tragic ancient myth of Orpheus and Eurydice.

In 1960 “Orpheus Descending” was adapted into a film titled “The Fugitive Kind” with top performers in the cast: Marlon Brando played the Orpheus-type role and Anna Magnani played the Eurydice-type role. The critical notices were mixed, and the commercial performance was weak.

The earliest evidence located by QI of a match for the quotation appeared in the widely-syndicated column of Walter Winchell in May 1960. Winchell stated that Tallulah Bankhead and Tennessee Williams had recently resumed a friendship that previously had been strained. Bankhead’s candor was unhampered. Boldface has been added to excerpts:^[1] 1960 May 25, The Terre Haute Tribune, Walter Winchell of New York, Quote Page 4, Column 3, Terre Haute, Indiana. (Newspapers_com)

They witnessed the film “Fugitive Kind” (adapted from his “Orpheus Descending”) and she told him: “I think it’s disgraceful. They’ve absolutely ruined a bad play!” Tennessee enjoys being spiked by Talu the tiger.

The use of the pedestrian word “bad” in this version of the quotation reduced its humor. Yet, this instance might be the most faithful to the words Bankhead actually uttered. The word choice evolved as the tale was retold during the ensuing years.

Here are additional selected citations in chronological order.

Continue reading “They’ve Absolutely Ruined Your Perfectly Dreadful Play”

References

References
↑1	1960 May 25, The Terre Haute Tribune, Walter Winchell of New York, Quote Page 4, Column 3, Terre Haute, Indiana. (Newspapers_com)

Failure Is Only the Opportunity More Intelligently To Begin Again

Henry Ford? Samuel Crowther? Apocryphal?

Dear Quote Investigator: The failure of a project is often disheartening, but some self-help and inspirational texts highlight a quotation that presents a positive interpretation to the setback:

Failure is the opportunity to begin again, more intelligently.

This statement has been attributed to the assembly-line innovator and industrial titan Henry Ford, but I have been unable to find a solid citation. Would you please examine this saying?

Quote Investigator: In 1922 Henry Ford in collaboration with Samuel Crowther released an autobiographical volume titled “My Life and Work”. In the introductory section Ford outlined four principles for his organization, and the saying appeared in the discussion of the first principle; however, the phrasing was different and somewhat clumsier. Boldface has been added to excerpts:^[1]1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 19 and 20, Garden City Publishing Company, Garden City, New York. (Google Books … Continue reading

The institution that we have erected is performing a service. That is the only reason I have for talking about it. The principles of that service are these:

1. An absence of fear of the future and of veneration for the past. One who fears the future, who fears failure, limits his activities. Failure is only the opportunity more intelligently to begin again. There is no disgrace in honest failure; there is disgrace in fearing to fail. What is past is useful only as it suggests ways and means for progress.

The principles were important to Ford, and he repeated them in the concluding section of the book.^[2]1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 273, Garden City Publishing Company, Garden City, New York. (Google Books Full … Continue reading

Here are additional selected citations in chronological order.

Continue reading “Failure Is Only the Opportunity More Intelligently To Begin Again”

References

References
↑1	1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 19 and 20, Garden City Publishing Company, Garden City, New York. (Google Books Full View) link
↑2	1922 Copyright, My Life and Work by Henry Ford in collaboration with Samuel Crowther, Section: Introduction, Quote Page 273, Garden City Publishing Company, Garden City, New York. (Google Books Full View) link

Quote Origin: Life’s Most Persistent and Urgent Question Is, “What Are You Doing for Others?”

Martin Luther King Jr.? Apocryphal?

Question for Quote Investigator: A speech by the civil rights icon Martin Luther King, Jr. included a section about the importance of altruism versus selfishness; he posed the following question:

What are you doing for others?

Would you please help me to locate this quotation?

Reply from Quote Investigator: The 1963 collection “Strength to Love” by Martin Luther King Jr. included a sermon titled “Three Dimensions of a Complete Life” which contained the following passage. Boldface has been added to excerpts:¹

In a sense every day is judgment day, and we, through our deeds and words, our silence and speech, are constantly writing in the Book of Life.

Light has come into the world, and every man must decide whether he will walk in the light of creative altruism or the darkness of destructive selfishness. This is the judgment. Life’s most persistent and urgent question is, “What are you doing for others?”

Here are additional selected citations in chronological order.

Jealousy in Romance Is Like Salt in Food

Maya Angelou? Apocryphal?

Dear Quote Investigator: I once read a piece by the prominent memoirist and poet Maya Angelou that contained a fascinating simile depicting jealousy in a love affair as a spice or salt because it enhanced the flavor of the relationship. I have not been able to relocate this passage, and now I am less certain she wrote it. Would you please help locate this quotation?

Quote Investigator: In 1993 Maya Angelou released a collection titled “Wouldn’t Take Nothing for My Journey Now”. One short passage titled “Jealousy” referred to that puissant emotion as an intoxicant but also included a cautionary note. Boldface has been added to excerpts:^[1] 1993, Wouldn’t Take Nothing for My Journey Now by Maya Angelou, Section: Jealousy, Quote Page 129, Random House, New York. (Verified on paper)

It must be remembered, however, that jealousy in romance is like salt in food. A little can enhance the savor, but too much can spoil the pleasure and, under certain circumstances, can be life-threatening.

Here are additional selected citations in chronological order.

Continue reading “Jealousy in Romance Is Like Salt in Food”

References

References
↑1	1993, Wouldn’t Take Nothing for My Journey Now by Maya Angelou, Section: Jealousy, Quote Page 129, Random House, New York. (Verified on paper)

Obscene and Not Heard

Groucho Marx? Ethel Barrymore? Maurice Barrymore? Paul M. Potter? Gertrude Battles Lane? John Lennon? Joe E. Lewis? Robert Heinlein? Marilyn Manson? Augustus John? Oscar Wilde?

Dear Quote Investigator: There is well-known and often repeated admonition directed at young people who are making too much noise:

Children should be seen and not heard.

Wordplay has produced multiple quips which transform the phrase “seen and not heard” into other similar sounding statements:

Back in our day sex was obscene and not heard.
The writing was obscene but not absurd.
Graffiti should be obscene and not heard.
Women should be obscene but not heard.

Instances of these statements have been attributed to Groucho Marx, John Lennon, Ethel Barrymore, Robert Heinlein, and Oscar Wilde. Attitudes have changed over the years and some statements in this family grate on many modern ears. Would you please examine this family of adages?

Quote Investigator: The earliest evidence known to QI appeared in an anecdote published in a New York newspaper in 1892. The quip was spoken by Maurice Barrymore who was the patriarch of the famous theater family that included his children John, Lionel, and Ethel. A large show had recently closed, and Barrymore discussed the production with a fellow actor. He defended the risqué performances of the lead actress while mentioning the poor acoustics of the capacious venue. Emphasis added to excerpts by QI:^[1] 1892 December 12, The Evening World, Stage News and Notes, Quote Page 5, Column 3, New York, New York. (Newspapers_com)

Here is the latest scintillation of Barrymore’s wit. Barrymore and Wilton Lackaye were discussing Mrs. Bernard-Beere’s unfortunate engagement at the Manhattan Opera-House. Lackaye having said something about the English actress’s failure, Barrymore replied: “My dear boy, you must remember that the size of the theatre was entirely against her; it is so large that it entirely destroyed the delicacy of her art. The stage of that theatre is intended only for broad effects.”

“Well,” said Lackaye, “judging from what I have heard, the broad effects in some of her plays were marked, especially certain scenes in ‘Ariane.'”

“Oh, that’s nothing,” declared Barrymore. “On that big stage anybody can be obscene and not heard.”

Here are additional selected citations in chronological order.

Continue reading “Obscene and Not Heard”

References

References
↑1	1892 December 12, The Evening World, Stage News and Notes, Quote Page 5, Column 3, New York, New York. (Newspapers_com)